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Schroeder vs. Triplanar VII Sonic Differences

All,

I have read a lot of threads regarding the "superiortiy" of these tonearms in the right combinations of tables and catridges. However, there doesn't seem to be a lot said about the soncic characteristics of each brand and the differences between them. I'm interested in hearing your thoughts about their strengths and weaknesses, sonci characteristics, applicability to various types of music (rock, pop, classical, large scale, small scale, etc).

Will a Schroeder deliver dynamics, punch, bass suited to Rock music? Will a Triplanar deliver natural, timbral accuracy? Are both these arms suited to the same music?

Thanks in advance,

Andrew
aoliviero
cello
645 posts
 
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Sirspeedy,
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How have you been ?
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Did your buddy with the Record Flattener achieve better sonics with the records after being flattened ?
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Rgds,
Larry
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cello
645 posts
 
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Thom,
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Yes, I am referring to the machine that gradually heats up, presses the record flat and then slowly cools back down automatically.
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Do let us know if you ever get around to test driving one and I will do the same.
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Thanks & Rgds,
Larry
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sirspeedy70680e509
1,064 posts
 
Larry,BOY am I glad to hear(SOMETHING)from you.I admit to being a bit saddened by lack of correspondence.You were SUCH a nice guy!!

Anyway,the record flattener basically does nothing to change the characteristic of the original LP,as I understand it,from this guy.He is ecstatic!Believe me,he has a record collection like no other,and has way more rare,and valuable collectible discs than anyone I know of.Yet,he will not flatten any friends' discs,as he doesn't want a "Run" on his unit!Can't blame him!

Hope this info helps!BTW--buy it!!
cello
645 posts
 
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Sirspeedy,
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Good to hear from you as well.
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Do you know the brand and model of your buddy's flattening machine ?
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Rgds,
Larry
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dan_ed
2,451 posts
 
You guys will probably think I'm crazy, but I'm planning on sandwiching a few of my extremely warped specimens between a couple pieces of plywood and setting a 50lb. weight on top and leaving them for several months. Naturally, these records aren't prime collectors items, but I'm hoping this works well enough to salvage a Doors first album and U2's Joshua Tree. Both are so bad I can't play them now anyway.

I'm sure the commercial product is faster, safer, less work, etc.
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