Most PRACTICAL, yet good sounding REEL to REEL ???


I occasionally find pre-recorded reel to reel tapes in my local thrift stores and garage sales and am thinking it's crazy not to pass them up.

So what I'd like to know is - What deck would you experienced R to R'ers recommend as:
1. Reliable
2. Good to excellent sonically
3. Not too pricey, as this is only experimental for now
4. Still repairable locally when need be

(Pretty much in that order of importance.)

I assume that a Teac would likely top this list for combined score on all three, but know zilch about which models, etc. Any comments would be appreciated.
opalchip
i own 5 reel to reel tape recorders. why? i like to record vinyl and do alot of editing (choosing only the tracks i like). secondly, you can plug in microphones, even really cheap ones, and have an absolute blast recording music or even voices. my 1st machine was a concord, and the whole family gathered around and took turns reciting poetry or singing songs into the little microphone. we acted like idiots and had more fun than you can imagine. later i alligator-clipped wires to our blaupunkt am/fm/sw radio speaker and recorded classical and broadway shows.
these days you're better off with a hard-drive (alesis) recorder unless you can really play an instrument pretty well and have some decent mikes. if only more places would fix reel-recorders (and do it right) it would make me VERY happy indeed! as for old pre-recorded tapes, i just wouldn't want to take a chance with them shedding and possibly ruining a nice clean tape deck. but if you really want a tape deck in 2007, TEAC/TASCAM sells many of the (mechanical) parts you would need to get them to run like new again if they needed work. AND i strongly prefer decks WITHOUT AUTO REVERSE. pro-decks run in one direction and the reason is all too obvious. reliability, tape alignment, fewer heads/better quality.
of course, if by some miracle you find a nagra or stellavox in perfect shape that a neighbor will let you have for $500, you might want to make a quick run to the bank...!
Duh!

I just re-read your original post--your intention is to play pre-recorded reel-to-reel tapes you find at garages sales, thrift stores, etc.

From that standpoint, the ultimate quality of the playback machine is a bit less important because you're interested in playback, not how they sound when playing back what they recorded.

I still rate Tandberg and Revox the best sonically; I rate Tandberg one-motor machines highly for reliability and (relatively) uncomplicated maintenance. Mechanically I always liked 3-motor Teacs, and for playing back pre-recorded tapes they should be fine.

If you find a Sony in good condition, those were good too. Hell, even those single-motor Sonys sounded good and were reliable. The Akais sounded good and were generally reliable, but harder to work on. I heard a professional engineer's portable Aiwa plugged into a mobile recording/playback signal chain that sounded incredible. Of course, he was playing back a master tape, but the Aiwa was up to the task.

You may want to google or scan about to see if anyone carries playback heads for any of these. If they got much use, they could well need a head replacement.
Johnnyb53, have you or others here ever made a comparison between the Tandberg and Technics 1520 (balanced) open reel machines?

I have the Technics, which mechanically is excellent. It wraps tape so perfectly it looks like a block of machined plastic.

It records half track and plays quarter or half track at 3.75, 7.5 and 15 IPS which covers all prerecorded and even the "master dubs" that show up at Ebay.

The Tape project has a tube preamp for the Technics and being a fan of tubes I'm seriously considering that for my machine.

http://www.tapeproject.com/
Johnnyb53.

Your interest in a reel to reel machine can lead you to some of the best sound you will ever glean from the audio spectrum.

Albert is right on regarding the Technics machine-- if you can find one.

I was lucky; bought a 1500 machine for $600, the asking price, 3 hours after it was listed on Audiogon. $120 shipping from Utah and the unit was pristine. 2 weeks later another showed up on Audiogon for $600. I saw it at 6 am, a few hours after it had been listed. I bought it without realizing that it was to be shipped from Mexico. The shipping cost was almost equal to the purchase price.

When you decide to go reel to reel you need a back up. I have no regreats. I bought them both because of The Tape Project.

Purchasing the Technics VS1500 machine doesn't grant you a path to audio nirvana, there are costs to upgrade to present standards. Not necesary unless you get crazy about audio. Check the posting for Albert Porter, and see what the love of music can do to you.

Relax, Listen, and enjoy the evening. Ken