I think the visual method is best. Go here for one description:
http://forum.audiogon.com/cgi-bin/fr.pl?eanlg&1138757939&read&keyw&zzvisual+antiskate
http://forum.audiogon.com/cgi-bin/fr.pl?eanlg&1138757939&read&keyw&zzvisual+antiskate
I think the visual method is best. Go here for one description: http://forum.audiogon.com/cgi-bin/fr.pl?eanlg&1138757939&read&keyw&zzvisual+antiskate |
My procedure was to buy a linear tracking arm that doesn't have any skating force :-) However, if you have a pivoting arm I think that the best results are obtained using a test LP that has a highly modulated section designed for testing tracking. Find the antiskating setting that allows the minimum vertical force without mistracking. Actually, exact setting of the antiskating force is not all that critical. We got along without any for many years. The optimum value varies over the area of the disc, and with modulation of the groove. The penalty for not having the right setting is the need for a slightly higher vertical force. |
Here are some other ideas I have heard about. For arms that have replaceable headshells, you could devote one to an Orsonic Skating Force Guage, if you could still find one. Another idea is to use a record that has no grooves at all on one side, such as the 3-sided Keith Jarrett album, and check skating at various points across the record, choosing the best compromise. But I think that the easiest method is just look at the stylus at the moment it touches the record, and adjust anti-skating for minimum stylus deflection. |