Looking for turntable for under $1000


I've been looking at turntables but don't want to spend over $1000. I like the Pro-ject line because they have RCA jacks at the base of the tonearm which allows the user to choose any interconnect he wants. Also like the fact that, unlike the Rega, the the VTA can be easily adjusted. I've narrowed it down to the Xpression ($500), RM-6 SB ($900) and the Xperience ($1000). Would be interested in all your thoughts. Thanks everyone. Bob
bobgates
Oregon - thanks for your thoughts on the Lenco; I don't think anyone around here has one. Is the Lenco still being made?
Bob, I'd really like to hear what you think of the Pro-ject RM-5. It's been on my mind since I read the review at 6moons:

http://www.sixmoons.com:80/audioreviews/project3/combo.html

The price point is exceptional and the design is sleek. It reminds me of the old Micro Seiki DQX-500. There's scant information about Pro-ject tables in the Agon forums. It would be nice if could do some sort of review or follow up. Did you pick up the Musical Surroundings Phonomena? Have you chosen a cartridge? -Mark
Mingles - I really like the Pro-ject RM-5; it sounds superb and is very easy to set up in terms of the overhang, VTA and tracking force. The only negative thing I see about the table is that, after setting the anti-skate, there is a slight tendency for the arm to want to drift toward the outer edge of the record as it is being lowered. This may be due to the fact that I am using a very lightweight cartridge (the Ortofon X5 only weighs 4.1 grams). Have the tracking force set at 2.1 grams. The table comes with both a felt and cork mat. I have been listening to the cork mat recently which seems to provide a more neutral sound with better dynamics. For $650 this table is hard to beat.
Bobgates, does your Pro-Ject arm have the three-position anti-skate adjustment with the weight-and-fishing line device? I'm guessing it does because the arm and the arm on my MMF-7 are similar if not the same (yours might be carbon while mine is not).

Anyway, I was checking the anti-skate with the HiFi News Analog Test LP, and even with the fishing line at the last position on the arm, it caused a buzz in the left channel of the test LP on a couple of the test tracks (there should be no buzz). In other words, I am not able to apply enough anti-skate to satisfy the test record.

I mentioned to Roy Hall an idea I had to add a heavier weight to the anti-skate device in order to add more force, and Roy's reply was, "Throw away the test LP and listen to music."

Interesting.

Music does sound good.

My arm does not drift to the outside when lowering to the LP. In fact, it drifts in slightly while being lowered.
Bob, I'm glad you like the table. I think the drift is due to the fact that the Ortofon X5 is too light for the tonearm. 4.1 grams is at the lower limit for the counterweight. The 9c is not a low mass arm. You can see from Pro-ject's web site that the optimal cartridge weight is between 6-10g:

Effective tonearm mass 9,5g
Supplied counterweight cartridge weight 6 - 10g
Optional counterweights cartridge weight 10 - 15g and 4 - 6g

You'll get better sound (in particular, better bass) from a properly matched cartridge. The effective mass of an arm and cartridge plays a key role in how the needle tracks the groove.

However, if you plan to keep the Ortofon and the drift continues to be a problem, you might think about putting a small amount of light tacky glue (like reusable glue) on the lift bar that lowers the arm. I know this doesn't sound elegant, but it works.