Herb Papier (creator of the Triplanar) was a perfectionist, and it was not for nothing that he added the damping trough to later iterations of his tonearm.True enough, but Herb didn't have access to truly well damped cartridges like a ZYX UNIverse, Lyra Olympos or Transfiguration Orpheus, to name a few of today's best. They simply didn't exist in his day. Herb did his best to overcome problems created by the cartridges of his time.
Dgad's comment re: the Ikeda arm reminded me that Raul reported that his Ikeda was the best match for his Koetsu RSP from all the 20-something tonearms in his collection. Higher mass is perhaps the key.

