Tracking Troubles--Upgrade or Setup?


Lately I've been bothered by what I think is poor tracking in my low-budget vinyl setup, and I'm concerned that I'm doing damage to my records. The problem is distortion at dynamic peaks. There was a thread on this a while ago, to which I contributed, because a lot of my used vinyl seems to be just plain worn and distorts at peaks because of (I presume) years of playing on somebody else's setup. My copy of Kenny Burrell's Midnight Blue is particularly bad, and it kills me!

What I've noticed lately is that I'm getting faint distortion on new records, again at the peaks, and particularly as the cartridge tracks closer to the center. Really, I think this problem has always been there but I've listened past it--blessing and a curse, I'm listening more closely now.

My setup is a Technics SL-D2 with a Shure M97xE into a Cambridge 540P. The Shure's known for tracking well, has a new stylus, and I have paid a lot of attention to setup (level, protractor, tracking force gauge, test record), but I'm also a relative vinyl newbie and have had to learn all of it on my own--possibly something's off, and I don't know it. I want to enjoy my records for a long time, particularly those I'm shelling out new-vinyl prices for. Should I: setup from scratch; look into a new table/arm (used Rega P3 or Technics 1200); look into a new cartridge? How big a factor is the table/arm in tracking? Thanks in advance for all help.
ablang
Doug: Yes, it does certainly favor one channel alright, you got it. It occurs on some LPs but not consistently. A given LP might do it now and then, not always. Definitely not LP damage I think.

Here you will have to excuse my ignorance on this matter. I have a Rega RB300 arm which (to my knowledge) has only tracking weight adjustment and no VTF or AS fine adjustment. I am already at the maximum for my cartridge for tracking. I have heard that Rega doesn't honor anti-skating for some spurious ideological reason.

I guess increasing tracking might help. You suggest going over the recommended level a bit?
Chasmal,

A sporadic problem like this points to the need for a holistic approach, first ruling out something further down the chain, like a driver or preamp tube, oxidized RCA connector or bad voice coil. If everything is fine with line-level/CD playback (meaning no noticeable distortions or problems), then move on to the LP chain.

Doug's responses regarding phono chain diagnosis are spot on. My only comment would be that if one uses a cartridge with a somewhat exotic stylus profile, (like the Dorian), alignment becomes extremely crucial. Check, double check and check again. Remember, not all protractors are created equal, and you may have difficulties trying to implement a Baerwald alignment on a Rega, which favors a Stephenson alignment. Also, since you're using an LP12, I would recheck your arm cable dressing through the P-clip. Any hang or drag on the arm cable will cause grief, and can certainly result in the type of distortions you are hearing. The Linn can be funny that way...while you're at it, double check suspension set-up and make sure the platter is level.

-Richard
"Not all protractors are created equal, and you may have difficulties trying to implement a Baerwald alignment on a Rega, which favors a Stephenson alignment. Also, since you're using an LP12, I would recheck your arm cable dressing through the P-clip. Any hang or drag on the arm cable will cause grief"

Thank you sir, but I really cannot understand what you have said. Thus the need to pay a professional.
G'day, interesting one. More and more I'm coming to the opinion that poor overhang set-up is the main reason for all manner of perceived vinyl playback issues. It took me years (about 20?!), to properly work out the intricacies of the Baerwald two point gauge, so I'm not surprised if people 'get it wrong', as I did too!

This reference is excellent, in particular getting the cartridge properly centred at each null point.
http://www.theanalogdept.com/2_pt_align.htm Regards,fscerri.
Chashmal,

First, let's learn some jargon so we can confuse each other in the same language.

"VTF" = Vertical Tracking Force, sometimes referred to as just "tracking force" or "downforce". It's what you meant by "tracking weight" (though scientists/engineers would correct your use of the word "weight", since that's technically inaccurate).

Whoever told you Rega doesn't "honor" antiskating is clueless. Every Rega tonearm includes an antiskating adjustment. Your Rega manual, using British terminology, calls it a "bias" or "anti-bias" adjustment but it's the same thing. On an RB-300 it's adjusted by sliding a small button along a slot in an extension of the arm base (beneath the arm tube when the tube's in the arm rest). Toward the base increases antiskate, away from the arm base reduces it. Try various settings, from none to maximum.

Palasr added some valuable tips, but since much of this is new you do need to build a knowledge base or pay someone to do it for you. Most on this (and other) forums prefer/enjoy doing it themselves, and certainly that is the path to maximize performance. Vinyl playback is not plug and play, as you see. Neither is it set and forget. The perfomance of cartridges (especially) changes over time, with the weather, etc. If you rely on someone else to set up you're at the mercy of their schedule, not to mention their prices.

You can learn all this by reading and doing. There are many good sources online, including the FAQ's at Vinyl Asylum, Vinyl Engine, searching this board, etc. For an organized presentation in one place, consider Michael Fremer's DVD on vinyl setup, available from many online retailers. Well worth the time and investment if hours of online reading isn't your thing.