Dan,my friend may be interested in a Vector.Did you find "it's" fluid usage to be as critical as the 2.2,in terms of how it affects tonal shadings?
Some time ago,I was personally contacted by a fellow who designed turntables.He was quite knowledgeable,and "loved" the Vector!He had some interesting "takes" on many of the popular arms we all like to talk about,but the guy LOVED the Vector.
The business of fluid addition,as it relates to "arm voicing" obviously interests me,but I do have a knowledgeable group of audio pals who are adamant about the "ultimate" lowering of sound quality,if an arm uses fluid.Be it in the bearing,or in a well,with both affecting performance differently....Personally,I'm on the fence with that issue!
I know my Phantom prefers less fluid than the finicky(but I loved it) 2.2,but I'm hearing good things about the latest Vector...
Hence feedback on "it's" fluid/performance impact could be interesting.
Also,doesn't it have a new assembly that allows for easy VTA?
Best.
Some time ago,I was personally contacted by a fellow who designed turntables.He was quite knowledgeable,and "loved" the Vector!He had some interesting "takes" on many of the popular arms we all like to talk about,but the guy LOVED the Vector.
The business of fluid addition,as it relates to "arm voicing" obviously interests me,but I do have a knowledgeable group of audio pals who are adamant about the "ultimate" lowering of sound quality,if an arm uses fluid.Be it in the bearing,or in a well,with both affecting performance differently....Personally,I'm on the fence with that issue!
I know my Phantom prefers less fluid than the finicky(but I loved it) 2.2,but I'm hearing good things about the latest Vector...
Hence feedback on "it's" fluid/performance impact could be interesting.
Also,doesn't it have a new assembly that allows for easy VTA?
Best.

