EAR 834P + Bent Audio Stepups = greatness?


I have an EAR 834P unmodified and am constantly reading how this amp is certainly one to be on the short list of anyone who wants a decent entry level phono. I have the deluxe version so it can handle low MC carts. When modified, many claim this unit is exceptional competing with units well past its price point. My question, if paired with exceptional step ups from Bent Audio, would the EAR perform in the same league as higher end units? The EAR has a very short signal path, is very simple so there shouldn't be much to lose from the cartridge to the main amp save for problems with the decent but not wonderful internal step ups. throwing in some of the world's best into the chain, would I see a world of difference or would money be better spent on a new phono outright? By that I mean, should I modify the unit and get the Mu's or would that $1600 or so paired with the 900-1000 I might get selling the EAR get me more on the used market?

Thank you in advance
zanth
Mgreene,

Several folks around here use Stephen's C3a based phono pre with excellent results, though I've never heard one myself - he too utilizes the S&B SUT in his design wired at 1:20.

I have a pair of the copper S&B/Bent TX-103 SUTs and they are excellent - I used them for many years with fine results. However, comparing them with Kevin Carter's latest SUT offering, the Lundahl LL1931, there's little comparison (disclosure: I use the K&K maxxed-out phono preamp with the LL1931 built in). To my ear, the S&B SUT has a very slightly metallic byproduct in the upper midrange to lower treble, and tends to be just a wee bit ripe and fuzzy at around 150-200Hz (which makes for a pleasantly euphonic midbass). The Lundhal SUT connects to the music and has an immediacy and palpability that simply eludes most SUTs I've heard in comparison. They are extremely transparent in the higher frequencies and convey excellent power and purity throughout the spectrum. They take a LONG time to break in.

So, is this merely a matter of another set of connectors and a bit of wire between point A and B? Is it the difference in loading between the two SUTs (the S&B/Bent loads on the secondary, the Kevin's K&K/Lundhal on the primary). All food for thought. I would jump at the chance to try John's new Bent Audio SUT - he worked long and hard to find something comparable, if not better than the S&B. I also know he is including the option to load on either side of the transformer, which would be fun to experiment with.

There is no magic bullet with analog, or audio for that matter. Use whatever appeals to ear and soul - there is no right or wrong answer, merely shades of gray. Beyond all else, have fun. Good listening,

-Richard
Mgreene,

I appologize, I didn't mean to come off that way. I'm posting quickly between tasks at work (it is what keeps me sane )so sometimes my thoughts don't get fully formed.
Cheers Dan and Richard. I had heard that the Silk XFs were marginally better than the S&B's but the guy I bought from also had the RIAA modules in a package deal. The S&B are known to be able to take a little DC, making Thorsten's last public design possible.

Stephen's web is pretty facinating. I am using a version of his PS in my LCR RIAA.

Mike
Zanth, I ran across your thread about upgading the Ear (I have considered the same quandary and was doing research). The Ear 834P is lovely, for what it is, but the low-output Grados, fine cartridges that they are, are not moving coil designs. It was difficult to get a clear answer about this from Ear and particularly Grado, but Jim Hagerman, (despite a slight preference for transformers, when they are appropriate) understood the issues perfectly and made no bones about it: the low output Grado Statement (and Statement Reference) are incompatible with ALL moving coil stepups. The Grado design requires an active step-up stage. In a way, Raul was correct about this (but not so much, in social grace.) Hagerman Labs’ Piccolo (an active FET based design) into the Ear 934P MM input was a tremendous improvement over the internal Ear transformers (as well as Peerless 15095’s, which I tried). Since the alternatives were as to ditch the Grado or the EAR 834P at a loss, the Piccolo was well worth the relatively modest cost (much quieter than transformers, too). I would guess that almost any active “mc” step ups would be better with the low-output Grados than even the best transformers. IMO Grado should be more forthcoming about this in their marketing materials. Jim Hagerman, Ear’s distributor and Grado’s elderly factory expert were all nice, responsive and did their best to help me get to the bottom of this issue, but of the three, only Jim Hagerman really understood it and could give a clear answer – and he was right.
Thanks so much for your impressions and for the information regarding the Grado carts! I had no idea. Dang, this is going to make for some touch decision making. So the FET is the only option for best results? Not even something as flexible as the Steelhead? If I have to go solid state I think I may want to stay within the EAR family and save up for a while to get at the 324.

At least I have some information to go on and can work with the family of carts. Solid information, thank you very much.