Steam Cleaning - RCM or not?


I posted a couple of times yesterday about this over at AudioKarma, but thought I would ask here as well since Audiogon seems to be at the center of the steam cleaning information.

I tried steaming in earnest a few nights ago; I did an LP I've had for years that had had some minor mold on it, which I removed a long time ago with my RCM, but the spore pattern remained. It was gone in a minute with the steam, which I somewhat expected. What I didn't expect was how lifelike this 3rd pressing, orange-label Dynaflex LP suddenly sounded. Amazing!

My question is this; I'm really drawn to the idea of not using my 20+ year old RCM at all because of the noise, which I'm getting tired of hearing after all these years. I'd really like to be just steaming, lint-brushing with my home-made fluid I've been using a while, steaming again and wiping with a couple of microfiber cloths. That seems to work very well, except that I seem to be getting some gunk on my stylus now and again which may be lint from the cloths.

Is this a concern? I actually did this routine a couple of times to one side of an LP and then did the same thing but RCM'd and not microfibered the other side, and I would swear the non-RCM's side sounded slightly more real in each case. Sonically I'm completely okay with the cloths only, but am a little concerned about possible residue and whatever that is showing up on my needle—although my ears are telling me this is the way to go. Anybody else come to this conclusion?
vanmeter
Tbg,I'll take a jab at responding to the question. This is a viewpoint found on years of slogging.

An over-view of the subject:

1: Many commerical steam machines exist , none suited to record cleaning. Most are suited to heavy industry to degrease machines. As a group they come in all sizes an shapes producing super-heated steam & water (some at hundreds ++ degrees) that melt grease(an vinyl) on contact. Next are garment steamers. Most can distort vinyl in seconds. The reason? Garment machines ,by design, steam & heat a relatively large area to remove wrinkels from cloth. Apply them to vinyl ,kaboom, now you have a droopy, wavey LP. Steam irons do the same only more so. Way too hot and dangerious!

The exception are the household , handlheld steam cleaners. As a group, the comsumer machines produce steam with heated water at near exactly the right temperature(212*- 220*F)cooling to 150* to 187*F. Perfect for record cleaning and household useage. Some more perfect than others but all can perform. Nearly all are constant water-boilers maintained under pressure til' the water runs out(8-15 minutes). They must cooled down before refilling.

Consumer handheld steam cleaners are already under licence (to some one or some company) . With no financal incentive, the Record Cleaning Industry (RCI) shuns most anything they can not contol. Generally, the steamers are not under public domaine but several components maybe that make them difficult to patient. A lot of trouble , money and no return.

2. Steam cleaning LPs is viewed as a threat to the record cleaning machine (RCM) market, manufactures having invested in expensive advertising & machining for decades. In truth, RCM make little money in return for the investment. Its a fact RCM's cost hundreds to thousands retail more than steam units that sell for $50.00 or less. A significant retail spread.

We are what I term "insidental users". We adapt an existing product to our needs that were never recognized by the inital manufacture. In short, we get all the "R&D" benefits with no additional mark-up. They manufacture for the world, in thousands of units, we as a group are few in numbers compaired to the global market,but, we pay the going rate. That's true most of the time;exceptions do exist.

Since I already own a RCM , I incorperate its use , what I term "Combo-Ing" to cleaning records with excellent results. Should you have a RCM use it.If not, no problem.

3. Liability. Of the designers/manufactures whom I have freely spoken with , none were keen to sell high pressure handheld, water boiling units out of concern (fear) for abuse & lawsuits. Still, others refuse to accept any notion that "lite" steam can clean LPs, only their product or cleaning fluid.It has been related, some take every chance to speak negatively , to Audio Insiders , here & in Europe, to slow the notion of steam cleaning.A few even claim steaming causes inaudable, periment damage to LPs, a claim wispered with no published evidence.

I can't blame them , if I were they I might adopt the same tactic. Nevertheless, the paradigm is changing(slowly)and in time the RCI will adopt steaming but as for when ? Besides , when insidental users (like us) can buy a MC 1235 for $50,light-years ahead of convential pressurized units,why should the RCI even bother ? Once I got confortable with the 1235's operation ,I doubt I will ever use a pressured , water-boiling handheld unit again.

Of course ,one can spend $150 on the Mapleshade Kit . Mapleshade puts their ID on the steam unit,actually a "Steamfast Runner",a constant water-boiler, Model SF-227, as their own . That's ok ,they have a right to do that,no problem. Or,one can easily duplicate the kit,sans the rinsers,for about a 2/3 thirds less than the retail price, a tad more with a 1235. Insidentally, the Steamfast units and the McCulloch units are manufactured for Top Innovations (TI), Inc. in China. TI owns the distribution rights to both lines. That is a fact.

I do not expect to see "Record Steaming Machines" anytime soon. But with the MC 1235 ,frankly, who needs ID's .
Crem1, very interest even if a bit paranoid. I know most of the RCM manufacturers, they feel no sense of being in control.

Can you please elaborate on how you use a handheld steamer to clean a record? Do you just blow off foreign material onto the floor or in the sink?
Tbg, you can communicate with me off-line at your convience ,should you wish to discuss this further.

As for the "how to" that has been outlined many times in past years that's viewable in posts already archived. I would never be so cavilier to do "blow-off" material onto the floor. I respect my audio roon & lifestyle to do that. Thats a repugnate idea. Perhaps a read of old copies of "Listener" & Stereophile would help. I'm mentioned by name & the method was reviewed by Michael Fremer in '03 & '06. I'm was included in "Positive Feedback" a few years back.

Steam Cleaning Lps is something I have been perfecting for over a decade. I began to share the idea in print in '2000. Posters report that steaming is more effective than using a RCM but without the cost. Read a bit than try it out.
No problem here. Give a read or email me. "Control" was a short-cut term . My view is that the Industry ignores the prospect of steam cleaning because there is no reason to support an idea that competes @ pennies on the dollar. Endorsing steam cleaning rather than your brand of record cleaning is not a great way to get your product sold.
I will disclose that several years ago I agreed to a private, invite only, informal "shootout" with one company that manufactures RCMs ,world wide. The owner was present. The pervailing view was that inexpensive steamer used out performed these very expensive products & machines. This was a private matter and I will not reveal the marque. That's all I shall disclose .

I don't write in a vaccum. I receive emails from all over the world requesting advice I give freely. The emails & posts help me as much as I contribute to them. That's how I learned of the MC 1235 ,a remarkable machine one completely adapted to steam cleaning LPs.

In closing, an example of the dramatic difference between steaming and vaccum machines . I own a 1950's Maria Callis LP in mint+ condition that I cleaned with a RCM. Initially, I could hear a slight "stage noise" before Callas began to sing . Upon steam cleaning & in the manner I suggest, one hears : Callas slowly walk onto her mark , the russel of her dress, the soft-sound of leather(most likely shoes) , the movement of her diaphram near the open mike as she opens her mouth, breathes in & instantly I am transported to the exact moment she sings. Quite profound , never forgotten.