Platter Upgrade for Garrard 301


I am toying with the idea of upgrading my analog system to the next level up from my VPI scout. I've heard alot of talk about great performance from a Garrard 301 coupled with a upgraded plinth that I could buy from various sources, such as Oswald Mill Audio or Shindo, among others. However, I rarely hear about other upgrades for the Garrard. Isn't the platter a key component that should be a contender for an upgrade? I know Shindo makes such a platter, but they seem to be ultra expensive. There must be a less expensive alternative? Also, what other upgrades should I consider to a Garrard? Thanks, Mark
mcmprov
Hello Hartmut,

Was that the shootout I heard about where you used stacks of magazines, periodicals, etc, to support the armboards to get the height correct?

Jonathan
I always felt that Garrard got the 301 right the first time. An audio buddy of mine says that the series 'one' platters (grease bearing tables) are the heaviest and to him sound the best. He has one matted to his oil bearing Garrard along with a 12" Audio Technica arm and a Denon 103. It provides an amazing presentation, and is dead silent. So... I am not sure that the Garrard really needs an upgrade... just having the table is an upgrade for most!
Enjoy.
I do find the 301 platters ring. The original rubber mat is what I end using after trying modern alternatives, this helps a lot. What I have done recently to improve my 301 platter to add 3 x 5mm dia nitrile o-rings around the circumference of the platter. For strobe versions using 2 works well between the strobe markings. I made the o-rings from 88cm lengths of o-ring cord, this results in 28cm dia rings. You can buy ready made o-rings too.

Some have reported only subtle improvements from this tweak, in my SE and OB based system the effects were significant. Without it the sound seems slightly murky, rather like a slightly cloudy beer - still taste good though! Sounds with the o-rings are more distinct, less cluttered and more liable to "come from nowhere". Tight and controlled too. There seems greater stability (less smearing), the sort of thing you'd expect from a direct drive.
Hello Jonathan,

yes it was that shootout. But the slate plinthed Garrard was the only one having its Schick tonearm on a slate tonearm board, so it should work in favour for the slate plinth, if anything.

To me, the Kokomo bearing modification is night and day in performance, and outperforms any other modification to the Garrard.

Hartmut
Hartmut,

Thats awesome. Once again your true colors come through via Weisselk. You never stop embarrassing yourself!