More convinced of analog than ever


Wednesday night I went to my local high end shop's "Music Matters" open house, which featured six meticulously set up listening rooms highlighting the best and brightest offerings from Wilson, Transparent, Audio Research, Ayre, Magnepan, Peachtree, B&W, Classe, Rotel, etc., with factory reps to introduce their products and innovations.

There were unmistakable improvements in reproduction of redbook CD, with jitter reduced to near zero, and holographic reproduction of images, soundstages, and the minute signals that indicate instrument resonance and hall ambience.

And yet... and yet... when the demos shifted from redbook to the new downloadable hi-rez digital formats in 24/88.2 and 24/96, there was an unmistakable jump in resolution around the edges of the notes, of sounds swelling, resonating, and decaying, of greater verisimilitude.

But compared to the turntable demos, I'd say the 24-bit digital got me about 80% there, whereas LP playback closed the gap completely. Once the LPs started spinning, there was a collective relaxed "aaaahhh" that went through the audience. It wasn't because of dynamic compression. Far from it, the Ayre prototype turntable was strikingly dynamic with a subterranean noise floor.

The sense of ease and relaxation I attribute to a sudden drop in listener fatigue. The LP-source music had so much more of what makes music musical. We didn't have to work nearly as hard to rectify the ear-brain connection as with even the best of 24-bit digital, which was still significantly better than redbook. The redbook playback always reminded me that I was listening to "hi-fi," even when played through multi-thousand dollar players from ARC and Ayre.

Even my local Brit-oriented Rega/Naim dealer asserts that the latest CD players rival or exceed LP playback.

I say nay.

What say you?
johnnyb53
Hmmm. I wouldn't call Johnnyb's post snobbish either, however, these threads that seem to pit one format vs. the other are inherently contentious. I'm with Tvad in that I think it all depends on the recording as to what medium is better.

In the real world (playing all sorts of music with wildly varying sonic qualities) both can be very satisfying or disappointing. Ultimate sound quality doesn't much matter to me, playing only the best quality recordings would severely limit my music choices to the point I would no longer care about listening to my system. And so, I could care less about which format is superior.

I must admit I don't see anything in Johnnyb's post that disses digital in general, he is simply describing that evening's listening session.

And yes, I've sometimes felt very defensive about criticizing my analog sound and defending my digital sound, I feel I've been belittled by some analog fans. A tone of unbelievability has entered some of the threads I've initiated complaining about the sound of my analog rig. Some posts call into question my ability to set up a vinyl rig, stating there must be some obvious thing I'm totally missing, and then going into a diatribe about how vinyl just blows digital away. Please check my virtual system before dissing my setup abilities. I know some mean well, but others are insulting in their simplistic posts. I think some analog gurus have to extole the virtues of vinyl and trash digital in a manner way beyond the pale.

Having said that, I don't feel Johnnyb is trashing digital, however, Shadorne has some valid points in his post. Generalizations are always going to cause contentiousness, the digital vs. analog argument should be much more specific, comparing recordings rather than mediums.
I agree with Chadeffect, there's no stoppimg progress and the age of vinyl will probably be remembered as a bizarre form of musical reproduction to be forgotten.

For those of you who want the highest possible life like quality, no hassles, and on demand, I suggest that you get off the vinyl bandwagon even if you think for right now that it has a slight edge over digital. Why?

You're slowing down the progress of digital. Manufacturer's are throwing much of their R&D at analog, building turntables like never before...they're even saying that now is the Golden Age of Vinyl.

We've become the underground resistance against the advancement of digital fullfillment...and I've already had to wait a quarter century without satisfaction!

For the rest of us...who enjoy flipping over vinyl and may have a different take about quality of life and progress, I'll tell you that I'm building a new analog front end because that sounds better to me right now...today. It will most likely be my last analog system. While working on my project my daughters 17 and 20 are intrigued. I bought both of them IPods for Christmas and they download and love music. Their music...their world.

I tell my youngest, that you have to wait till one side is over and then get up and flip it to the other side. She says, "I know Dad...hah...hah." We go out to lunch in her car with her IPod, and she's flipping from one song to the next and most songs she never gets to the end. She tells me that she only downloads songs that she likes??? I tell her that with an LP, since there's no remote, you're kinda forced to listen to all of the songs. Maybe, the artist intended you to do so, or maybe the songs tell a story.

That evening, I'm listening to my system and she comes home. I say, "check this out," and put on The Guitar Artistry of Charlie Byrd on my old SOTA which I had put away for my new front end but dug out on purpose. We listened to the whole thing...she loved it.

All I know, is since I started with my new front-end project, I'm spending more time with my under 25 daughters. That's not BS.
I'm with Tvad in that I think it all depends on the recording as to what medium is better.

That is my view also.
I have what I consider IMO both top flight digital and top flight analogue. Johnnyb's excitement about the maturing of digital is extremely valid. And there might be a time that such maturity will make the analogue renaissance truly come to a trickle. A native DSD recorded SACd can sound incredible. The problem is these are few and far between. Digital recordings have improved and quite a few CDs can sound good, very good. On the whole analogue playback has better source material than digital. But digital is coming of age and hard drive based playback with fast downloads, cheap storage and phenomenal dacs for a lot less money than just a few years ago are heare with more on the horizon. Now to get the true Hi Rez digital music downloads is the final key. I wonder if anyone will convert old master tapes via a hi resolution media that can be played off of a hard drive?

Yet... great vinyl warms my heart and I listen to it more than digital, even though digital is more convenient. The worst thing for me about vinyl is cleaning LPs. Mind you I hate biasing my tube amps as well.
I didn't see anything snobbish about the original post either. I've been off the Digital Bandwagon for awhile and would assume that the latest and greatest digital would surpass vinyl at this point. I think the original poster's *surprise* that he still prefers vinyl is what registers, and this hardly suggests bias!

The latest digital I've heard is Ondine's SACD of Barber/Poulenc/Saint Saens works--it's fantastic but in the end I felt fatigued as well. What's missing for me in digital--even hi-rez--is a general sense of a "frame" around the music--a "relativity" with the hall which allows one to "own" the sound. Horribly inarticulate description, but best I can do.