02-07-09: TvadThe problem with Verve is the same as the problem with finding used Ray Charles, James Brown, or Jimi Hendrix albums in great shape. People played them long and hard.
I have plenty of used Verve that sound like crap.
Verve reaches back to the '50s and had so many great artists--Gene Krupa, Ella Fitzgerald, Louis Armstrong, etc.. Pablo is really the same idea by the same guy (Norm Granz), but it was started in the '70s so the legendary artists are older while the recording technology and albums are newer, and more of them are in great shape. Both Verve and Pablo records were well engineered, mastered, and pressed. Verves would have been recorded with tube equipment, so they're warmer and fatter and more are in mono. Some don't have the frequency extension and clarity that the Pablos do.
I lucked into DJ Verve copies of Ella and Louis parts I and II and Buddy Rich, "The Monster." As DJ copies they were in white inner sleeves with no jackets, totally unplayed new old stock. They are definitely gems in my collection, sonically and musically.

