Dear Dertonarm: This is not a contest ( like you want to be ) on who have the reason or who knows more about.
I posted that I'm not ( yet ) on the TT design. Right now I don't know if there are better alternatives and which ones are even I can't say that your is the " one ".
Right now I'm a " spectator ". I have several " ideas "/common sense that are the ones that I will follow when we start our TT design.
What have I on hand?, almost nothing. My TT design is on " desk " waiting for like the amplifier one. Each thing at its time.
I'm not saying that your approach is wrong what I'm saying is that it is not " the best and only way ". In the time we already finish our research on the TT and start the design, tests, execution, tests, tests, test, then I will have a more precise arguments that exist other alternatives that can even and can outperform the ones that exist today including yours, not before: I don't have the " cads " yet.
No, you don't do nothing ( steped on... ) in the FR that is a " so so " design even with its own FR cartridges. No, I don't want comeback to this subject, I point out only because you name it again. I posted that when we obtain the patents on our tonearm design I will share with everybody, not before, science is science.
+++++ " Yes, I can tell you what building materials in what part of the TT are most likely the best to contribute to an excellent behaviour regarding vibration damping and energy transfer.
Why should I tell you. To convince you? " +++++
I don't need that you convice me, normaly I take the steps by my self to convince me about any subject that has interest on what I'm trying to achieve.
I don't care and means nothing if you name some materials with out scientific tests that prove/establish that that combination of build materials and its inter-relationship ( platter, plinth, bearing, arm board, footers, etc, etc ) are dead NEUTRAL below any real playback work conditions.
I think you can't do it, I mean that you don't have it, do you? .
Now, if you have it I don't need that you tell me, sooner or latter I will find the answers ( maybe a different ones from yours and maybe some like yours. ) about when we are in deep in our design.
I ask about only because you don't touch this " main " TT deign factors. I wonder why?, perhaps another un-finished/futile TT design?.
IMHO all our un-finished designs ( protoypes. ) have a very important " steps/role " in the final product and that role is that through these prototypes we can achieve our targets to build the real FINISH product.
I have some Phonolinepreamps and tonearm prototypes where I can " read " the different steps that bring me to the final product.
We have many differences in our way of thinking ( between you and me. ) and one of them is that I never think that I'm at the end of the audio item learning curve final design, at least I never experienced that I'm there.
I have my dream phonolinepreamp design like the tonearm, cartridge, TT and amplifier ones. These " dream designs " are perfect ones and wonder what? are commercial ones too but we need time a lot of it to make those " dreams " come alive but my final " prototypes " are a good step on the right road.
I can tell you that if I was Matushita Corporation where I can have any kind and any quantity of resources for audio projects then maybe in two-three years those " dreams " comes true but we are two-three persons that make this job in our free and just because we like it and enjoy what we do about.
Anyway, like I already posted go on: many people here are having fun and that's good. It will be " futile " if I try to go on. In good shape: thank you for your time.
Regards and enjoy the music.
Raul.
I posted that I'm not ( yet ) on the TT design. Right now I don't know if there are better alternatives and which ones are even I can't say that your is the " one ".
Right now I'm a " spectator ". I have several " ideas "/common sense that are the ones that I will follow when we start our TT design.
What have I on hand?, almost nothing. My TT design is on " desk " waiting for like the amplifier one. Each thing at its time.
I'm not saying that your approach is wrong what I'm saying is that it is not " the best and only way ". In the time we already finish our research on the TT and start the design, tests, execution, tests, tests, test, then I will have a more precise arguments that exist other alternatives that can even and can outperform the ones that exist today including yours, not before: I don't have the " cads " yet.
No, you don't do nothing ( steped on... ) in the FR that is a " so so " design even with its own FR cartridges. No, I don't want comeback to this subject, I point out only because you name it again. I posted that when we obtain the patents on our tonearm design I will share with everybody, not before, science is science.
+++++ " Yes, I can tell you what building materials in what part of the TT are most likely the best to contribute to an excellent behaviour regarding vibration damping and energy transfer.
Why should I tell you. To convince you? " +++++
I don't need that you convice me, normaly I take the steps by my self to convince me about any subject that has interest on what I'm trying to achieve.
I don't care and means nothing if you name some materials with out scientific tests that prove/establish that that combination of build materials and its inter-relationship ( platter, plinth, bearing, arm board, footers, etc, etc ) are dead NEUTRAL below any real playback work conditions.
I think you can't do it, I mean that you don't have it, do you? .
Now, if you have it I don't need that you tell me, sooner or latter I will find the answers ( maybe a different ones from yours and maybe some like yours. ) about when we are in deep in our design.
I ask about only because you don't touch this " main " TT deign factors. I wonder why?, perhaps another un-finished/futile TT design?.
IMHO all our un-finished designs ( protoypes. ) have a very important " steps/role " in the final product and that role is that through these prototypes we can achieve our targets to build the real FINISH product.
I have some Phonolinepreamps and tonearm prototypes where I can " read " the different steps that bring me to the final product.
We have many differences in our way of thinking ( between you and me. ) and one of them is that I never think that I'm at the end of the audio item learning curve final design, at least I never experienced that I'm there.
I have my dream phonolinepreamp design like the tonearm, cartridge, TT and amplifier ones. These " dream designs " are perfect ones and wonder what? are commercial ones too but we need time a lot of it to make those " dreams " come alive but my final " prototypes " are a good step on the right road.
I can tell you that if I was Matushita Corporation where I can have any kind and any quantity of resources for audio projects then maybe in two-three years those " dreams " comes true but we are two-three persons that make this job in our free and just because we like it and enjoy what we do about.
Anyway, like I already posted go on: many people here are having fun and that's good. It will be " futile " if I try to go on. In good shape: thank you for your time.
Regards and enjoy the music.
Raul.

