Seeking turntable upgrade advice


My current table is a Scoutmaster with JMW9 sig tonearm and all the typical VPI upgrades; my cartridge is a Dynavector XV-1s.

I have been considering an SME table (and possibly a SME V arm) but I like the concept of adjusting VTA on the fly. Between that and wanting to use a Mint tractor (I understand SME arms complicate the measurements required to get a Mint), I decided to get a Tri-planar arm instead.

So, what’s a good table to go with a Tri-planar and XV-1s? Would an SME still be a good candidate? What about an Amazon Reference? Anything else?

Thanks in advance.
madfloyd
SME is a fine product I'm sure but, if you're considering them, the TW and Galibiers are not out of your budget at all. SMEs are expensive! Also, due to the lack of dealer network/advertising I feel you get much more value for the money you do spend on these brands. I think you owe it to yourself to audition them both(and as many others as you have an interest in)before you lay your money down. As for the wait, I don't think anything worth having usually comes quick. (Then again this is coming from someone who spent 12 years in training so he could work like a dog the rest of his life)YMMV!
Thom, if you're out there please remember to keep June 26th open. I'm riding Amtrak to Denver and then driving to Boulder. I look forward to seeing you and your table.
What erroneous conclusion have I arrived to with the Doshi other than it's not to my taste in my system? It's a highly regarded piece of equipment and I'm not saying there's anything wrong with it. Btw, the mismatch for me was not due to the phono stage, but rather the line stage. I spent a fair amount of time and money playing with isolation and tubes, trying it in other systems to get a good feel for its character and I think in my situation I'd be better served by something else. That's allowed, no?

This thread was simply about trying to find a TT match for my Dynavector XV-1s cartridge and Tri-planar arm, not the Doshi.

Thom: for the record, we spoke at least twice - both times you said you would follow up with me in the next few days and both times I never heard back from you. I'm not criticizing the way you operate, but having no idea when I could successfully place an order (let alone receive a unit) is not for me. It's now been a few months and I've given up. Our conversations were very enjoyable and I have no doubt the quality of your products is top notch.

SonofJim: You're are most correct - the SME's are expensive! I'm now considering a Teres 265. Any caveats with this choice? Phono is a Manley Steelhead and preamp is an unknown.
I'm not sure I understand everything you're saying about harmonics, but my take-away is that you're suggesting I get a less than detailed tonearm because my system or room can't handle harmonics.
Pretty much.

Until you address the cause(s) of those distorted harmonics, which arose months ago and which still exist AFAIK, buying a tonearm that will send even more harmonics into the signal path seems counterproductive.

I expect a TriPlanar will do exactly what the Alaap did – introduce more harmonics into your present system/room than it can handle.
What gives you impression I have distorted harmonics in my system, Doug? You haven't heard it... I'm confused.
Hi Madfloyd,

If I were to make a decision on the Doshi based on limited exposure to it, I too would find that it is not to my taste, or more correctly, that I heard shortcomings in the systems where I had the opportunity to audition it. My respect for the Doshi is by inference - from people whose opinions I trust - people with whom I've shared observations and listening tastes in the past. In this sense, it should be on everyone's short list.

There are elements to fine components which are obvious once you learn what to listen for. For example, phono stages like the Doshi, the Essential, the Atma-Sphere MP-1, and the Einstein (to name a few), have a remarkable immunity to input overload. Raul has mentioned this in various threads on this forum. Many times, what sounds like cartridge mistracking or distortion is in fact a phono stage input section whose slew rate is too slow - one which can't gracefully respond to transients, and rings (resonates) in response to them.

Of course, there are numerous dimensions to a sonic evaluation. I point the above one out because it's one that you can analyze in any system context. Tonality on the other hand is difficult to determine unless you are familiar with the system context.

My main point relates to a system building approach - to encourage you to pick the low hanging fruit and work from there. From this perspective, the Doshi would serve you well - in spite of the fact that you currently don't find it to your liking (and might never, for that matter). From the dialog in this thread, it appears as if both ends of your system are candidates for change front end, and apm/speaker.

Now, in the end, you still might not like the Doshi, but I think it will (paradoxically) help you make better decisions about the rest of your system. I still think that you are most likely shooting the messenger. Have you considered sending it back to Nick for an inspection?

Cheers,
Thom @ Galibier