Experience w/ Trans-Fi Auio Terminator Tone Arm?


How many of you have the Trans-Fi Auio Terminator Air Bearing linear Tone Arm? Or the older Trans-Fi Evolution Tonearm. What is your experience with this arm, how satisfied are you with this arm, and how does it compare with other tonearms you have tried?

I am seriously thinking of getting the Terminator for my VPI Super Scoutmaster with Rim Drive, but have no experience with linear tone arms. I have found just one person on Audiogon who has this arm and loves it. This fact is somewhat confusing to me, since if the arm is so great, as some people say it is, you would think more people on Audiogon would have it or at least tried it out.
Thanks,
jbcello
I'll add my more recent impressions of Terminator. The Tpro version with the Tomahawk flat wand and uninterrupted shielded 5N silver wire harness is quite a break-through in performance. The arm also benefits from a solid brass pedestal. The most challenging aspect of setting up Terminator is the need for careful dressing of the new shielded wire harness. These wires are a bit thicker than the filament-sized unshielded wiring more commonly used with tangential arms. The shielded wires are worthwhile in terms of eliminating hum problems, but to prevent torque effects on the stylus(particularly when the arm is shortened in front or when using a four-conductor loom for balanced operation) the wires need to be carefully separated from each other, and the gantry that supports them must be positioned toward the middle of the LP. In addition, one should recheck zenith after determining optimal VTA. Finally, if the arm is made short it is well worth experimenting with headshell weights for cartridges of low to medium compliance.

All of this may sound complicated but is really no big deal. Once these aspects of setting up a short linear arm are understood, things fall easily into place.
If your looking at Linear track tonearms, you should also consider clearaudio in your evaluation, imo....
I have used the Terminator for almost two years. I upgraded to the tomahawk arm about a year ago and added Vic's reso-mat two months ago. I do not have alot of experience with other arms but it is in a whole different league than the fully upgraded rb 300 I used before. Besides it looks ultra cool in an industrial design way. This is anything but a momentary turn into a deadend and it is relatively inexpensive as far as arms go.
I have had my Terminator T3 Pro with Tomahawk wand & another custom wand to allow headshell swap for a year. Top arm and it punches way above its price point. I use it on a heavily modified slate ptp Lenco and it's a great combination IMO. I also use other arms like 12" Reed 2A, Graham Phantom 2, Schick, Exclusive P3A, Max 237, etc on other tables and Terminator/Lenco is not humbled in that company.
Thanks Sgunther. What did you hear in re-so mat that was superior to using record clamp. Vic stated that clamping the LP deadends the sound. No?