Eldartford, it might be, but in the world of high end, the difference between HIFI and the ability to sound like real music exists in the nuances. That is why there are Teflon caps, high precision resistors, care in grounding layouts, spec-ing out the gear octaves beyond human hearing, use of high purity wires, balanced operation (in our case anyway), non-ferrous chassis, *tubes* and whatnot.
We are trying to make it sound real. All designers probably have a blind spot, usually a focus on what they think is important :) so you will see a wide variation in designs as a result. It is the mark of a good designer to know what specs are 'negligible' and which ones are really important that *look* negligible. I don't think I am in a position to really judge exactly what that might be, because like everyone else, I have my blind spots too. In the case of EQ, we can spec the EQ components within 0.05% pretty easily, so I don't think hitting 0.01% should be all that much harder.