Micro Max 282 vs. Exclusive EA-10

Opus111,
I am sorry they did not work for you. My experience has been different.

Thanks Daniel,
I have little soldering experience, almost no tools, but can avoid coffee when necessary. :^)

Opus 111,
i wonder a little about your assessment of the Max. I do remember when having owned a 237 some fifteen years ago and when i compared it with a modern arm it lacked some transparence and push. Neverheless it provided a good soundstage. I sold it due to changing my system. I always thought how might it have sounded with a good internal wiring.

When I was offered the EA-10 - and it reminded me of the Max by good reasons - the silver-rewiring had very good results. So I started the next project with the Max 282. Gosh - what a difference, and what kind of
improvement. Of course some time had passed since the "old assessments".

You need to hear a rewired Max and you will change your opinion at the same moment I am sure. Try it!

Best & Fun Only - Thuchan

Opus111, as said before in my earlier post, both tonearms do feature what I consider "worst case scenario-inner wiring". Coaxial with a mixture of gauges and copper/copper-steel litz-wire. Add the additional connector - with two more solder joints and two different material transitions - and you have the reasons for the sonic downgrade.
Versatility and additional features requested those additional connectors, but the poor coaxial inner leads are an irksomeness in tonearms of this built-quality and price tag.
Cheers,
D.

I just got returned a fully rewired Micro Tube XP-282. The Ikeda silver wire - even if some people believe it should be a Hongkong replica ( the results speak a different language) is such a huge improvement that I sometimes regret what users are missing driving their Micro and SAEC tonearms with the original copper litz.

best & fun only - Thuchan

Dear Daniel, As you know I am a careful but also skeptical
reader. They fit together I will hope. My question: in the front of the headshell we have ,say, 8m coppper wire on the 'bobin' or the plate for the coils in the cart. At the back of the rewired 'wand' or tonearm tube we have,say, 1m
phono-cable. I want mention all the soldering points. How can +/-40 cm. of Ikeda silver wire in between be of such invluence for the sound?

Regards,