How does tone-arm mass impact performance?


Specifically, how does increasing or decreasing the mass of the tone-arm impact the performance of the system? Please do not answer; it will improve your bass or; it will provide a wider sound stage, these are not types of answers I am looking for.

Hypothetically, could one have a 1 ton ton arm with a 1 ton counter weight and still be able to play a record?

I recently changed my catridge from Ortofon OM to 2M blue. The 2M is heavier, as a result I had to increase my anti-skate setting. Are there any other impacts?

Is a lighter tone-arm better then a heavier one or is there some optimal mass?

Thank you.
nick_sr
There is no answer for your question because there is more than one variable involved. For any particular cartridge there may be an optimum mass but there is no mass optimum for all cartridges. During the race toward higher and higher compliance which occurred during the 70s it was determined that one cartridge required an arm with negative mass for best performance. With the trend to lower compliance cartridges the mass of arms has tended to rise, although some of the older arms were very high mass. The arm/cartridge system is a very complex one and no single parameter will govern it's performance. The weight of the cartridge should have no bearing on the antiskate force, it is determined by the tracking force , not the weight of the cartridge. The compliance of the cartridge determines the mass of the arm, low compliance-high mass and vice versa. If you get this wrong the resonance frequency of the combination will be either too high or too low. See sites like Vinyl Engine of Audio Asylum for fuller explanations.
The relationship between the arm and the suspension of the cartridge can be modeled like a spring. The springier, more compliant, the suspension, the less mass is desired in the arm to bring the total resonance of the system to the optimal point. Likewise, if the suspension is stiffer, more mass is required in the arm to keep the total system resonance at an appropriate frequency.

Interestingly, the weight of the arm is not of importance. What is importance is the effective mass, which takes into account the distance that the mass is from the pivot point. An extra gram at the headshell increases effective mass much more than a gram near the pivot point.

If the resonance of the system is too high it can be excited by low freqency tones within the music. If it is too low, warps will cause the resonance to be excited.

In your example, yes a one ton arm and one ton counterweight could play a record, provided that the compliance of the cartridge was suffienciently low. This is kind of theoretical though.

Commercial arms vary from somewhere around 6-7 grams effective mass all of the way up to 30 grams or so. Most medium mass arms, like the Rega, Audioquest/Jelco, Technics, etc. fall into the 9-10 gram range.
Thanks for the feedback.

I checked out Vinyl Engine and Cartridgedb websites, and it apears that the 2M blue is a good match for the technics sl-1200.

But I have made some minor changes such as, I replaced the stock headshell wires with heavier gauge silver wire, I added a shim between the cartridge and headshell to allow for an easier azimuth adjusmtent and finally, I am planning to rewire the arm, all this will certainly result in a different effective mass from the one listed in the generic DB.

So my question now is, how can you determine the actual effective tonearm mass of your customized tonearm?