Anti skate and tonearm damping query


I have read a number of threads relating to both antiskating and tonearm damping on the JMW 9" Sig.arm and find myself a bit confused.......I have been experimenting a little and have reached the conclusion that I must be deaf. I have not used the additional antiskating system, I have tried twisting and not twisting the leno wire and can hear no difference. If the Leno wire is not twisted therefore no antiskate, will this damage the stylus or the album??
I have also filled the damping well above the taper to the base of the point and still cannot hear 'the music being sucked out' or indeed, an improvement. Do I fill the well up to the point!! and then work backwards. Those that finetune using the damping seem to have some sort of epiphany when the 'sweet' spot is reached.

Can someone please shed light on how I should be going about setting the AS and finetuning the damping on the arm. The table is a scoutmaster with super platter and sds, the cartridge is the dynavector Te Kaitora Rua

Thanks
wes4390
Hi,
funny, talking with my 'learned friends' I find *experiment most ALWAYS precedes scientific explanation...* :-)

I just now proved to myself by simply sliding my SME V arm forward from its ~ 18mm overhang to some more without changing VTF = 1.25g and anti-skate 1 on the arm scale which keeps the arm in balance on the blank area of my test record.

Slide the arm enough forward (increase overhang) and ---- the skate force increase enough to now pull the arm to the centre.

Now let's consider a cart like my Windfeld with more then twice! the VTF (2.6g) and the result should be even more telling.

Greetings,
Axel
Perrew

Unfortunately I can't do that without revealing details of my tonearm's geometry which are not yet ready for publication.

Sorry.

Axelwahl

You have changed the offset angle (because the SME overhang adjustment works by moving the pivot not the cart)

Mark Kelly

Mark, I understand you dont want to do that but could you desribe with some other tonearm?
Tks
Par
Ok, move the SME arm forward you change the off-set angle yes.
Again, if you are running on the pin-point of the stylus, it has NO influence at all, at what angle that pin point rubs on smooth vinyl as a pin has no unequal sides --- unless that is only the case in my universe...

The change in friction force caused by a change in VTF of that pin-point is of course of MUCH greater influence and goes hand in hand higher VTF asking (all things being equal, which in the groove they are not...) for higher anti-skate compensation.

Also, the over-hang for a given arm is a ~ fixed parameter and as such it can actually be disregarded, fair enough.

There the variable is the VTF / friction force => stylus geometry.
As to the "off-set" it is the same as with the over-hang i.e. fixed also for any particular arm geometry and therefore also can be disregarded.

Axel
This has certainly evolved into an interesting thread, and an educational one despite the several contradictory claims which have been made.

I've just done an experiment to try to bring it all down to a more practical level. As I mentioned in my earlier post, I have always set up anti-skating on my mm/mi cartridges so as to produce no visually detectable right or left deflection of the cantilever when it is in the record grooves, compared to when it is not in the grooves (which has always meant straight ahead, with my cartridges).

Using the high output Grado Reference Sonata which I presently have installed (compliance 20, vtf 1.5g, elliptical stylus), I carefully looked for cantilever deflection at approximately 12 different points distributed across the full length of a lightly modulated (chamber music) recording.

At no time did I see the slightest deflection.

The cartridge is mounted on a 1980's SOTA Sapphire turntable with Magnepan Unitrac tonearm. Anti-skating is set for about 2/3 of the value recommended in the tonearm manual for the 1.5g vtf (35 shot pellets in the bucket, instead of the recommended 52). As a point of interest, I had previously had a Grace F9E Ruby mounted in that arm, set up by a very good dealer using an oscilloscope, test record, and Lissajous pattern. Their setting was also about 2/3 of the recommended anti-skating for the 2g vtf used with that cartridge (52 pellets instead of 79). And I have found a similar 2/3 factor to be about right on some other turntables/arms/mm cartridges I have set up in the past.

When I have done these setup procedures in the past, modest deviations from the anti-skating settings I settled on, such as using 30 or 40 shot pellets instead of 35, produced clearly perceivable deflection.

It seems to me that this experiment, indicating no perceivable deflection at any point across the record, supports the following conclusions, as pretty much stated earlier by Neil (NSGarch):

1)While skating force may vary from one point on the record to another, the range of variation is very small compared to the nominal value of the skating force.

2)The considerable cantilever deflection that does in fact result with these or similar cartridges from using zero anti-skating force would seem simply based on common sense to be undesirable.

3)Common sense would seem to suggest that the same two conclusions apply to moving coil cartridges, except that with these cartridges the differences resulting from different anti-skating settings (including 0) may be more difficult to perceive, because of their stiffer suspensions, lower compliance, and (possibly) different stylus shapes.

Can we all agree on this, from a practical standpoint?

Regards,

-- Al