DaVinci tonearm and azymuth


Great tonearm. Unfortunately the azymuth is several degrees from flat, clearly visible with the naked eye. Has anyone else had this problem with DaVinci? Should I just adjust the balance with my preamp and live with it?
psag
As for the Freickert-software... it implies for correct function in azimuth-adjustment mode, that both coils of a given cartridge do have 100% identical output.
If this is not the case - which you can count on in 99,99999 % of all cartridges - it will help you little to adjust azimuth. As it compares output of both channels to give identical readings.
You need to know the exact output of each coil before using this tool.
Hard to get......
Sorry folks - azimuth-adjustment in real world conditions has to be (and can only be ..) done by the one single instrument most audiophiles seems do trust the very least.
The ear........
Hi Doug,
if the arm-post is tilted relative to the platter (not 90 deg.), the azimuth keeps on changing from beginning to the end of the record, aye.
Why? Because the bearing (most usually has a ~ 20 deg. off-set relative to the straight axis of the arm). One thing I learned real fast when using some cheap arm (Pro-Ject 9c) with a sloppy arm collar for setting VTA.
Go figure... and Dertonarm should concede being in touch those Egyptian geometrists :-)
Axel
If the stylus is not 100% vertical in relation to the upper plane of the mounting cartridge body, you need a headshell which can be rotated in its axis - at least to some degree.
Or shim between the cartridge and headshell. I do that where azimuth adjustment is not available. A fraction of a degree can make all the difference.
Essentialaudio - agreed. That is at least a suitable option - if kind of archaic with tonearms asking $5k to $11k in retail price.....
If the post is not vertical, I think the shim should go between the post collar and the armboard. However if the headshell is the problem, I think the shim should go between the headshell and the cartridge.