TW-Acustic Arm

Dear Difool, with the tonearm TW is the co-designer (according to his own words..). Of course a great component can be designed from scratch. There are proven designs out there testifying that it can happen.
TW's turntable aren't that good an example however, as they may be average, but certainly not "top" ( they may perform "better" in some set-ups compared to the units "tested" in those set-ups before, but that is a purely relative comparison, certainly not an absolute one ) - at least not from the point of view of seasoned audiophiles who trust their own ears and don't fall right away for the latest hype-review of an under-paid and over-rated audio reviewer with little experience.
TW missed out to address a hell of a lot of important design features of a truly great turntable in his Raven - as well as in his later offsprings.
The fact that neither his customers nor some of the reviewers did notice that, is only testifying one of the inherent rules of this crazy business.

See - my critic goes ( this point gets lost again and again during this thread, as none of the TW-supporters does really react to the technical/design issue ) against its claim for "superiority" and the instant labeling that the new 10.5 will be a top-tier tonearm.

Nothing is more easy in high-end today, then designing and building a top-tier tonearm.
It is a purely mechanical device of simple function and just about 2 handful of issues to watch and to take care of.
All you need is a good eye, concentrate use of at least one brain, a good blue-book and a clear idea of what you really want to achieve.
Shouldn't be too hard ....

As said before - ALL issues in pivot-tonearm-design have been addressed already. However they were never addressed so far in ONE single tonearm ever brought to the market (a few however came VERY close... one or two of them are still current production...).
All a designer has to do today, is to watch closely and have a deep analysis of the best tonearm designs out there. Then combining their virtues and eliminating and addressing the very few points left.
e' voila - the "perfect" tonearm.

But if I see a new design, which is sadly uninspired and misses out on a lot of those issues to be addressed no one can expect me to raise my hands in praise to the new conquering hero.

As said before - I am sure that the two co-designers of the 10.5 will see in the very near future the design points they missed and we will see a MK 2-version by 2011.
At least - I hope so.

Nothing is more easy in high-end today, then designing and building a top-tier tonearm.
It is a purely mechanical device of simple function and just about 2 handful of issues to watch and to take care of.

TW missed out to address a hell of a lot of important design features of a truly great turntable in his Raven - as well as in his later offsprings.

Well Dertonarm,
You've reverted to your pompous best again. Opinion masquerading as "fact"?
Strange how there are dozens of us audiophiles here, who are aware that we have 'Opinions' and somehow the more we read and the more we learn, the less convinced we are that our 'Opinions' are necessarily correct or borne out by empirical evidence?
You however have no such doubts!
So let me respond to you in your own inimitable 'Derblowhard' fashion:-

"Very little is known about the total dynamic forces acting on tonearms and those who reduce the problems to those of 'statics' and 'Euclidian geometry' simply display their ignorance.
This was confirmed fairly emphatically when Mark Kelly exposed your ignorance of the dynamic forces and the equations involved in the acceleration and movement of the stylus within the record groove. Unfortunately your lack of education in physics and calculus make your assertions risible and embarrassing.

But then again your listening experiences are simply lacking when you hear only the FR-64 and 66 and think it is the greatest and the Graham Phantom is the second greatest. Your little lapdog Syntax even writes love letters to Bob Graham about his arm yet the Phantom sounds like a 'stick' compared to the Copperhead with MM/MI cartridges and with LOMCs the DaVinci 12" Ref Grandezza beats it in all aspects.
But you and your lapdog can't hear these things that we experienced audiophiles hear because lapdog has the Basis Debut turntable as his reference which, with its wobbly springs and acrylic plinth and platter has bloated loose bass, no soundstage and a total lack of treble presentation.
But I've never heard a word of denigration from you about this irrelevant and misconceived product?
Only the Raven cops it....endlessly....from you and your lapdog.
There is obviously a history here where Thomas and you and lapdog have come to blows???

In any case we don't even know what turntable you are using because you are too scared to tell us for fear of derision nor do we know your amplification but we can glean that it is all tube based so you have lots of noise and no control of the lower octaves and are thus unable to hear the innermost details that a fine SS phonostage and linepreamp can provide.
These facts are immutable but you are swayed by the overpaid theoreticians of old history tube circuits and prefer to shut your ears to the sound of real music.
This is borne out by the fact that you and lapdog only listen to MC cartridges instead of MM/MI ones which produce the sound of real music that Raul, Lewm and I are easily able to hear but which escapes you and lapdog because of your blind following of the audio magazines and reviewers and lapdog's quest for more and more expensive equipment to remove himself further and further from the sound of real music."

You see how it sounds Daniel?
Not very nice. But I expect to read immediately an obtuse and supposedly humourous (but in reality unintelligible) parable or cartoon from herr lapdog?

Dear Halcro, it sounds very nice.... what exactly did you say ?
Well - I do not want to disappoint you....
I didn't knew that you and TW are relatives and that I did deeply hurt your feelings by not labeling the Raven for its greatness and singular genius in design.
Too many audiophiles mistake components for beloved children - proving once again that all they care about the hardware only and that the "love for music" is carried like the cross of christ before them, but is only a hollow confession.

Is there an official promotion out there who gets the biggest discount for the best and most rude reply to me ?
In any case - it wasn't necessary to go to such length to tell me how right I am.
I fully understand that you do not want to learn and that you are fine with your set-up and the illusion of owning a system approaching the state of the art.
Absolutely no problem - certainly not mine.
BTW - neither you nor the other champs in that old thread you are referring to ever gave the topic a second ( a bit deeper ...) thought - did you?
You missed a chance.
Cheers,
D.

post scriptum: My set-up ? See it is boring explaining things when you know in advance that the other can't possible comprehend. But rest in peace - its tubes AND solid state......... its not about tube OR solid state, its about what you do and how. But that is a much more complicated subject than tonearms and turntables.
I could rip your set-up into pieces from what I see in your pictures and description alone. But - so what - you are happy with it and that is fine.
That your benchmarks are so much lower than mine is your fortune.
As I said much earlier in a lost thread - I too have some questions in audio, but I know I won't find any answers to my questions here.
I know I am hard to stomach for you and some others right now, but you would be surprised what a nice and sociable man I am in real life. I just react to something that provokes that reaction.

What I am still missing - is technical support for the 10.5. Isn't there any at all?

If its TW IT MUST BE GREAT!!

Dertonarm, where would audio be today if everyone took your approach of massive negative attacks on a new product that you have never heard.Yes, we can comment on engineering approach, but still no verdict can be reached until the arm is used in systems and we hear the music that is produced. After number ramblings that you posted here,I can only assume that you are trying to badmouth the upcoming TW arm release. Your motives seem very dark and suspicious to me. I hope that this was just a bad spell of some kind. You can be interesting and informative as I've seen in reading some of your other postings. Lets see more of that Dertonarm.

BTW, can you post pictures of your arm?

As to my agenda, I was just trying to see if there was any user information from Germany on this arm. In a word, No. That's ok, it just shows the product will be totally brand new. It may be wonderful or may need revisions only time will tell. Considering how well TW-Acustic has backed their other products in the US. Early adopters may try this arm on its promise and its backing they feel about from TW.

I'm waiting to read the several TW arm reviews. I'm not an early adopter.