Nilthepill, let me suggest to give a listen to a top-flight linear tonearm in direct comparison to a top-flight 12" pivot tonearm with the very same cartridge.
You may be in for a surprise.
The "force problem" of the linear tracker is inherent in the design - you may clean the bearings (and should do so anyway), but you do not alter the mechanical dilemma.
I have had several top flight linear tonearms and I certainly do like the logic idea behind the principle.
However - with todays cartridges (with the way cartridges are designed and mechanically built) the forces in any linear tonearm are medium to long time suicide for any suspension.
What we need to overcome the problem is a linear tracker which has an automatic feed of the complete moving assembly of the tonearm.
We need to eliminate the progression from the stylus.
This can be done, but will be really expensive, as it can not deal with linear progression, but need to be in short-time-loop with the real groove-spacing of the LP on the platter.
Once this is done, the full theoretical advantage of the linear tonearm will be obtained.
What still will be an issue after that problem is eliminated, remains the less than perfect stiffness and hardness of the bearing.
A great pivot tonearm has only the drawback of tracking error.
A great linear tonearm has a bundle of drawback by design - the zero error tracking being its only strong point.
Would love to see a linear tonearm addressing these points.
You may be in for a surprise.
The "force problem" of the linear tracker is inherent in the design - you may clean the bearings (and should do so anyway), but you do not alter the mechanical dilemma.
I have had several top flight linear tonearms and I certainly do like the logic idea behind the principle.
However - with todays cartridges (with the way cartridges are designed and mechanically built) the forces in any linear tonearm are medium to long time suicide for any suspension.
What we need to overcome the problem is a linear tracker which has an automatic feed of the complete moving assembly of the tonearm.
We need to eliminate the progression from the stylus.
This can be done, but will be really expensive, as it can not deal with linear progression, but need to be in short-time-loop with the real groove-spacing of the LP on the platter.
Once this is done, the full theoretical advantage of the linear tonearm will be obtained.
What still will be an issue after that problem is eliminated, remains the less than perfect stiffness and hardness of the bearing.
A great pivot tonearm has only the drawback of tracking error.
A great linear tonearm has a bundle of drawback by design - the zero error tracking being its only strong point.
Would love to see a linear tonearm addressing these points.

