Schroeder Reference Arm

If you heard the Schroeder in the Soundsmith room, it was not with a low compliance, heavy cart that would typically be associated with putting a lot of energy back into the tonearm, or "leaking" to use an unfortunate term of Doug's. As for his partner Paul possessing extrasensory perception, being able to smell whether a record is Decca, RCA or L"Oiseau Lyre, having sonar like a bat so that he can navigate the aisles of audio shows blindfolded, and other super human attributes, I can say that (here is the disclaimer- I represent Schroeder arms) what you heard is simply the superior quality of Frank Schroeder's work. Which comes from 30 years of making arms, and his background in watchmaking. I've not yet heard the Talea, but how someone who never made an arm until last year, and has no technical background (I've heard the Talea is the result of the engineering department at Joel Durand's University getting involved) can suddenly make the best arm in the world is beyond me. Not saying it's impossible that a unipivot with no special innovations (and I do not consider on the fly azimuth adjustment an innovation, as it is certainly not something I would ever use) can hit a home run out of the park, but I remain skeptical. Durand's cheerleading friends and early adopters seem attracted to Schroeder threads (VA, OMA Forum) like flies to you know what, but the upcoming RMAF 2010 shootout between the Talea and a Schroeder Reference should settle the question.

Jonathan Weiss
Oswaldsmill Audio

Well,

I suppose it all comes down to different flavors for different guys because there has never been a best of anything. Still, there are flavors that the discerning listener can appreciate and differentiate.

For interested parties, note that OMA does not represent my Saskia turntable, and has not for a year. The reasons may be obvious to the casual reader.

The turntable remains on the website, however.

Win

While we're at it, is the Schroeder Reference still in production? I thought I read several months ago that Frank Schroeder had ceased to produce tonearms, except to fill outstanding orders, which was good news to a buddy of mine who has had a Reference on order for eons. The rest of the "story" was that, other than filling existing orders for the Reference, etc, Mr. Schroeder would in future only be supervising production of the tonearm that goes with the Artemis turntable. Can any dealers comment?

JWeiss makes a good point en passant: are cartridges that put a lot of energy into a tonearm by definition low compliance types as well? It would make some sense that compliance is but one determinant.

All,

I am humbled to be able to represent 3 of the finest tonearms on the planet, manufactured by 3 of the nicest fellows I know – Frank Schroeder, Joel Durand, and Tri Mai.

That a few of my customers are switching to the Talea, should be taken for what it is – moving from one outstanding tonearm to another. Few audiophiles have the resources to own all three tonearms at the same time, and so (being a fickle lot that we are), we practice serial monogamy.

BTW, Frank, Joel, and I are finalizing plans for a fun, after-hours session on Saturday evening at this year’s Audiofest – playing with both tonearms. The next generation Stelvio (to be unveiled at the 'Fest) will retain dual arm capability, so we’ll have a great platform for our session.

I’m not a multi-tonearm sort of fellow, but my experiences with the Myajima mono cartridge convinced me that a second arm has its place.

Cheers,
Thom @ Galibier

Jonathan, I understand OMA doesn't represent Cogent anymore either. You must have to sell chunks of rock for turntables in bulk loads to keep that old, rundown barn in working order.