Schroeder Reference Arm

All,

I am humbled to be able to represent 3 of the finest tonearms on the planet, manufactured by 3 of the nicest fellows I know – Frank Schroeder, Joel Durand, and Tri Mai.

That a few of my customers are switching to the Talea, should be taken for what it is – moving from one outstanding tonearm to another. Few audiophiles have the resources to own all three tonearms at the same time, and so (being a fickle lot that we are), we practice serial monogamy.

BTW, Frank, Joel, and I are finalizing plans for a fun, after-hours session on Saturday evening at this year’s Audiofest – playing with both tonearms. The next generation Stelvio (to be unveiled at the 'Fest) will retain dual arm capability, so we’ll have a great platform for our session.

I’m not a multi-tonearm sort of fellow, but my experiences with the Myajima mono cartridge convinced me that a second arm has its place.

Cheers,
Thom @ Galibier

Jonathan, I understand OMA doesn't represent Cogent anymore either. You must have to sell chunks of rock for turntables in bulk loads to keep that old, rundown barn in working order.

Hi everyone,
Wouldn't it be beneficial to quit speculating about the possible causes for sonic differences between tonearms or, more precisely tonearm/cartridge combinations(and ta/cart/table/phonostage combinations etc....) until we actually had an opportunity to compare two or, even better, more contenders under reasonably fair conditions? So I'm sticking with my original suggestion to get together at RMAF and allow interested parties to hear for themselves. I realize that, right after such a comparison session, some will come up with reasons for the results or debate the way it has been executed. Let me add a short story/my two cents, based on years of personal experience with individual, small or large listening panel based evaluations:
A little more than a week ago, I demoed the effects of various TT-drive systems(DD, with or without additional load, tape drive with two different power supplies) to a group of 15 "seasoned" audiophiles, including some industry members(speaker and amp designers) at the "Vienna Vibes" meeting . In the end most all of them heard the same things. But when it came to voting for their favorite, the outcome was 7 - 6 - 1 - 0. I'll spare you the "who liked what better", but what I found time and time again is that we all have individual preferences, pre-conceived notions and the current peer group that influence our decisions.
So pick what you like best, call crap by its name, but don't tell anyone that their preferences are any less valid than yours. The "best" exists only for the individual, not for everyone (think girl/boyfriend, wife/partner :-)

See you all in Denver,

Frank

With all due respect, Frank. I don't see "speculation" in posts from those who have experience with your arm and the Talea. Jonathan, on the other hand, has consistently chosen to go beyond his own speculation and resort to sarcastic attacks on anyone who voices an opinion contrary to his own. I really don't believe a fair and honest opinion is within his capabilities.

My comments and opinions are strictly my own and do not reflect the opinions of Durand Tonearms, Galibier Design, Doug and Paul, Jazdoc, Dmailer, or anyone else.