Does EAR324 phono stage sound like tubes ?


i like the idea of being able to adjust the loadings of the phono stage... but does ear 324 sound anything close to being tubes ?
anyone who has would appreciate it- also considering the 834p or 88pb but the tube swapping is a bit hassle for finding good nos tubes...
the different load settings seems a good idea.
thanks !
nolitan
Lewm, after reading your post, I browsed for Art Dudley's...

As mentioned in previous posts, I also experienced some hum problem with the 324 that I couldn't possibly get rid of during audition. The hum and overall noise level was NOT really annoying when listening. But it seems to coincide with AD's measurements of hum at 120Hz.

Unfortunately I didn't try a wide variety of MM/MI to prove if AD's concerns on higher THD at low frequency was valid. "Grainy" wasn't enough to describe the 324 I auditioned in my system. "Definitely a solid state" were.

88PB didn't have this hum problem at all. In fact, it is still being extremely stable and, up to this moment, among the quietest tube phono(actually a hybrid design) I have heard in respect of hum level, tube rush and background noise for any phono with more than 70dB of gain, though without much flexibility in capacitance choices and impedance loadings like 324.

In a nutshell, I prefer 88PB to 324 in my system.

Best regards
Dan
i heard the 324 at my AD and did find it a bit grainy compared to tube phono stages.
88pb is next on the list.
Dan, so far, what carts have you used w/ the 88pb ?
thanks
Mostly using MY Sonic Lab Ultra Eminent, ZYX Omega-S, Shelter 901, Denon DL-103SA & Shelter 201(MM).

VBR
Dan
DanKW,
Thanks.. So far, all of them works well with the 88PB ?
Another phono stage that someone recommended is the K&K Maxx out phono stage... Its a kit though.
The synergy is so ideal with 88PB in the combo, always offers the magic of tubes and neutrality, stability of hybrid design using JET, PCC88s and output transformers.

With Ultra Eminent, the presentations being so dynamic, transparent, full of natural decays with authentic transient speed(provided playing the best analogue recordings from 60's and 70's). Poor recordings are still poor, though.(mainly using 1-6 ohm ext. SUT)

With Omega-S, being smooth, lush sounding, so energetic, full of body & emotions with a tad midrange sweetness. (using 1-6 ohm ext. SUT and 4-ohm built-in SUT in EAR 88PB)

With Shelter 901, a bit in lack of the details and natural decays comparing to Ultra Eminent and Omega-S. But the overall tonal balance still regarded as "very good". $1,200 is a steal(using 20-ohm ext. SUT)

With Denon DL-103SA, in comparisons, in lack of micro-dynamics and details, bit unnatural vocal siblings, "relatively" inferior in high/low extensions, exciting mid-low punch. But still regarded as one of the best MC carts, within $500, with excellent trackability and being so sturdy and stable on old-worn records. (using 40-ohm built-in SUT within EAR 88PB)

88PB has done its job well by always revealing the subtle sonic differences the carts and unleashing their potentials. The best phono within $5,000 I heard in my system and may compare to much pricey phono products.

VBR
Dan