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Classic records reissue - very disappointing

I have finally decided that Classic records reissue vinyl has a lot to be desired. The last copies I bought were horrible. The vinyl is not very well pressed and the sound is strident and irritating.

I put the Chesky version of the Reiner Sound and then the Classic reissue. There is no contest. It sounds like the Chesky was mastered with tubes and the Classic with solid state electronics. The Chesky is also pressed much better than the Classic. The mids sound very "not natural" on the Classic, almost overemphasized and pinched in the mids. The Chesky sounds natural with lots of air. The Chesky just sounds more right to me. I have found this to be the case with many of the Classic reissues and I am just using this one as an example.

Does anybody press vinyl the way they used to?

I am finding myself gravatating to CD more these days.

The only vinyl that sounds the way I like it is the older records. The problem with this is that the condition of many of these are not very good.

If the investment is being made to reissue music on vinyl, can't they do it with so it sounds like the old vinyl?

I am not sold on the thick vinyl either. I have heard lighter weight vinyl that knocks the socks off of the 200 grams.

Maybe I am not cleaning my new vinyl properly. Is there a coating of some kind on the new vinyl? If so, how do I get it off?

The real kicker is the price we pay for these audiophile reissues. It is ridiculous. I keep hoping for that old magic and I am constantly disappointed.

I also have a reiisued Art Pepper on Analogue and the original on Contemporary. Again , no contest, the Contemporary blows it away in every way.
tzh21y
tzh21y OP
1,377 posts
 
I also love the work that Kenneth Wilkinson did. He was amazing and quite arguably the best at what he did. I wish someone would release the Readers Digest Handels Messiah he engineered. That is a great recording, one of the best I have ever heard, except not on Dynagroove vinyl. You can get the Chesky CD but that is it. I would also like the Night On Bald Mountain with Sir Adrian Boult and the New Symphony Orchesrta of London. I always hear about Liebowitz and The Power of The Orchestra but the Boult version is incredible.
syntax's avatar
syntax
2,033 posts
 
The Scheherazade from Chesky:
They used the pure 2-Track Tape without the - normally - added 3. channel. This means, the mid Part (left-mid-right) is not supported or 'pushed'. The result is, the listener gets a more realistic Soundstage. The recordings simply sounds more real. I also have the Chesky records. Outstanding good remasterings. A pity, they didn't made more.

The CR:
In a way they have to sound a bit different, mainly based on
- other pressing machines
- different cutting heads
- different power amps for those
- different cutting angles
- different Quality of Vinyl
and very important
- 30 years difference in the Age of the Tapes

Tapes are magnetic and this stored information is not stable. The loss of information is natural, specially in the extremes of both areas, maximum highs, lowest Bass.

(the faster they made the cutting process, the more dynamic are the records. The fastest from all was Bob Fine)

When the tapes were running on the Westrex / Scully now, you can choose different equalizations. but there never was a Standard for that. It was changed from time to time because something new came in, something different was tried, 1954-1959 it was the N.A.R.T Standard for magnetic Tapes, later NAB Standard...

When the tape is old, the noise (rush) will get louder...a remaster needs a lot of work to be done right, and in this chain a lot can be done wrong.
CR tried to do it as best as possible and based on the age of tapes, equipment, they made the best possible results (Chesky did go a different way). Wilkinson still had the datas of everything, they went back to these datas and some was made identical, and when not possible based on technical issues, they went as close as possible to the written datas.

What we got is still the impression what happened 30 years ago without wrong information, and let us not forget, for 29.99 $ we got a LSC-1817.
did you know what you had to pay for a mint copy 1993? 700+ USD and you had to say 5x"Thank you" to the Seller..

CR was so proud to go to RTI (I think, that was the one) for pressing, not knowing, that this company would ruin their name...
tzh21y OP
1,377 posts
 
Interesting information.

Why did Chesky stop making vinyl? That was the best thing they ever did.

learsfool
1,206 posts
 
Hmmm, perhaps I have only heard the more recent Classics reissues. I can only repeat that every one I have ever heard has sounded downright bad, especially compared to the original release of the same recording, and also compared to other popular re-releases such as the Chesky's mentioned. I also do not find it necessary or productive to criticize systems I have never heard of those who disagree with me. I trust my ears, they help earn me my living as a professional orchestral musician, but I don't expect others to therefore agree with what I say. Different strokes for different folks.
tzh21y OP
1,377 posts
 
The earlier ones are better, not great, but better. I buy these records because I cannot get the originals in decent condition. I love the performances, just wished they sounded better, like the older vinyl. I believe you Learsfool. I'm with ya. I am just disapppointed and wish they sounded better. My friend has an excellent system, much better than mine and it even sounds worse on his. He's got Atmasphere gear and it sounds fabulous, especially the Cheskys, Sheffields, well you know what I mean.
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