Vertigo...Sure, I'm aware of what you're saying, and I do agree with you. And others'positive impressions about equipment will not necessarily guarantee the same for me or anyone else. We've all been through the mill, some more than others,with the experience of taking our chances on what others have said. This still doesn't entrely stop us from soliciting impressions. Short of actually hearing the product in question in our own system, what else do we have to go by? As a retiree,I don't exactly have the freedom and/or nearly unlimited funds to spend like some others in this hobby do. Notwithstanding, as you say, I will have to take the plunge on something if I want to move in a new direction. But, at least for the time being,I can continue to enjoy the relative comfort of remaining where I am until or when I'm reasonably secure about making the move, at which time the apprehension will return. Such a "tough" life coming and going with these "toys".
Reed tonearm w/ Raven One table-how's the match ?
I soon expect to go for a Raven One, but it's tough deciding on an arm for it. Currently own an SME IV.Vi, but want easier adjustability. I'm considering the Reed 2A or 2P with cedar wood and the C37 Finewire in copper with Eichmann Copper Bullet plugs. My listening preference is mainly orchestral music.I do like a slightly soft edged, warm/dark sound and don't mind giving up a bit of top end air but wish to preserve presence from instruments at the rear of the orchestral soundstage. For any of you who have this combo,what say you? Too much warmth interfering with what I'm looking/listening for or not? I have Dynavector XV-1S and Benz Ebony LP cartridges,reasonably neutral Ear 88PB preamp,Air Tight ATM-3 amps,Dunlavy SC-4 speakers.
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- 62 posts total
- 62 posts total