TECHNICS SL1200 MKII.......THE REAL FACTS


I have been a very active participant in this hobby for many years (going on 30). I have owned amplifiers by B&K, Marantz, Forte, VanAlstine, Accuphase, GAS, Onkyo Grand Integra, Musical Fidelity.....Speakers by Thiel, Energy, Genesis, Vandersteen, PSB, Definitive Tech, KEF, Mission, B&W....Turntables by Sota, Rega, Linn, AR, Thorens, Dual, and yes; Technics. I have a Technics SL1200 MKII which I have had for a few years now. It has been modified in the following ways (all mods based on trial and error and final listening results):
-TT Weights 454 record weight
-XPM1 Acrylic mat with 1/4" heavy Technics rubber mat underneath
-Steel plinth cover (chrome finish). I cannot explain why, but the background is more quiet and micro dynamics are better with this in place.
-Armtube stuffed loosely with cotton.
-Heat shrink tubing on outside of arm tube.
-Stock headshell replaced with Sumiko with Sumiko headshell wires (do NOT underestimate what headshell quality can do with these things).
-Plugs on the stock cables replaced with better plugs: Vampire OFC RCA plugs.
-Bearings adjusted for minimal play with minimal friction.
-KAB Power Supply added

Now, this is the scoop. I do not want a Technics turntable. I am an audio snob. I want only salon approved brands; period. That is why this situation sucks dog. Out of all the turntables I have owned. This Technics with this combination of mods has the blackest background, the best dynamics, the most detail, the clearest stage, the most pace and timing and overall just simply plays the song in the least-confused manner of ANY turntable I have ever owned. In many ways it makes every other turntable I have ever owned sound like Amateur Night in sonic comparisons. Facts are facts. The Technics SL1200 MKII, when properly tweeked, is one serious LP playback unit. At least the chrome plated steel plinth cover covers up the name.
audiomaster1967
I started off with a technics 1210, and have been very happy with it. Every now and again I get the urge to "upgrade" to a system that would impress an audio snob, but at the end of the day I know I would not come close to reaping the aural benefits of investing four times the amount I have already spent on my current setup. It's a shame that the 1210 was discontinued, but not that suprising. I guess manufacturing an heirloom product is a little incongruous with our culture of perpetual obsolesence. I'm not an audiophile, but to me one of the simple pleasures of life is coming home on a Friday, and pouring a glass of wine while Monk or Otis spins on my Technics. To reiterate it's bloody shame that it is no longer commercially available at $399.
There is something to be said for tts made back in the day when they were actually common and popular with the masses.

Most of teh better newer "audiophile" tables are good no doubt, but more of a boutique type item which is different. They have a lot to offer the target market but also do not come cheap.

Nothing wrong with either, just making an analogy.
I initiated my vinyl renaissance 4-1/2 years ago by purchasing an SL1210 M5G. I have done some similar tweaks to similar effect. I don't have the KAB power supply, but I have his fluid damper for the tonearm. I don't have a 454g weight but I have a KAB record grip. Instead of an acrylic/rubber mat sandwich I have a felt/sorbothane sandwich. Instead of stuffing the armtube with cotton and shrink wrapping it, I wrapped it with PFTE pipe thread tape, including the knurled collar for attaching the headshell. I also have a Sumiko headshell plus an LP Gear Zupreme one, which is very similar and both have the high quality cartridge leads and tags. Finally, instead of a chrome/steel plinth cover, I've platformed the turntable onto a very thick and heavy maple butcher block cutting board, with a Vibrapod assembly between the turntable and board, and gel pads between the board and the shelf it sits on. Every one of these tweaks has contributed significantly to more clarity, lower noise, better dynamics, and extended frequency range. Upgrading from a lightweight cutting board to the 30-lb. behemoth I have now was particularly significant.

Anyway, I agree that the Technics is a great fundamental platform and easy to improve with low cost tweaks and accessories. I can go to my local store and listen to turntable rigs up to around $7K and not feel like I'm missing anything, and may have an advantage in speed accuracy and the sensations of better pitch, rhythm, and propulsion that come with it. Only at the $12K DPS/Ayre rig do I begin to acknowledge an improvement.