Miyajima Shilabe with Shindo preamp ?


I recently purchased a Shilabe, and want to get it up and playing soon. I have already spoken with the importer, and have received a few ideas from others. First priority is to play it with my Shindo preamp, and see how well it does. I have two TT setups, a WT Amadeus, and Basis 2500/Vector 3 arm. It was suggested that the latter would be the logical choice to simply try the cartridge. I may start another thread for other tonearm suggestions, but would still appreciate any opinions . The Thomas Schick, SME M2-12R, and Ortofon RS-309D are all considerations. Would like to keep tonearms in the $1800-$2500 range.
fjn04
Dr_john, I have the Monbrison. I am running an A23 Denon 103 SUT, and a Choir Audio Hashimoto H7, which offers lo/hi impedance settings. Gain has never been an issue for me w/ Shindo preamps. I have heard two Dynavectors, an Ortofon Royal N, EMT, and Koetsu. I have either owned or heard all of those carts w/ Shindo preamps. I most always use, and prefer,
an SUT. Good luck with the Kansui,I would love to hear any follow ups of your findings.
Fjn04, my experiences with the Shindo VR and Petrvs preamplifiers were the same as your experiences. In my experience, I have also found that the Shindo preamplifiers do integrate better with an external SUT over the internal Shindo selected SUT.

I was perplexed why this event was additionally in the forefront when utilizing the Shindo designed SPU with the Shindo selected internal SUT. I would have thought that they would have been optimized to work better together than a third-party SUT...any thoughts?
Thanks for getting back - the other two cartridges on my short list are both Dynavectors - the 1-S and the 1-T, the latter at almost twice the price of the former. Are we talking diminishing returns at this point ? Do you know them ?My current cartridge, in a TriPlanar, is the Lyra Titan, which I find too 'hot'. I'm a freak for analog cellos, violins, sopranos and mezzos. And I do reserve solo keyboard for the digital realm. To my ears, no one has engineered a grand piano sound like ECM.
Perhaps I should wait for your tonearm thread but I'll interject here. I just bought a Kansui. I haven't mounted it yet but probably will this week. I'll try it first in my Clearaudio Universal and eventually in my other arms, including an SME M2-12R. I'm a big fan of the SME, although I've only used it for SPUs so far. If you buy one, consider picking up an aftermarket headshell or two because the stock SME isn't slotted, which makes cartridge alignment a little trickier if you use an arc protractor like a MintLP. FWIW, I considered the Ortofon but it has an odd geometry and the Schick but it doesn't allow bias adjustment. Some don't care about bias but I do. And the thumbwheel VTA adjuster on the SME is very useful. It's a very good-sounding arm and easy to use.
I'm a freak for analog cellos, violins, sopranos and mezzos.

Best cello I heard from any cartridge is using an Allaerts cartridge. The MC1B already has an amazing presence, richness, and scale when playing cello. I run mine with the A23 step-up into a Shindo Monbrison.

As for the Shilabe, I would consider a Schroeder as well, even it takes some finetuning skills.