New cartridge - Benz Micro or Ortofon Cadenza?


I have listened to a number of carts in two different systems, and the two that stood out were the Benz Micro L2 wood and the Ortofon Cadenza Black. It is unfortunately not possible for me to compare them directly in the same system.

My impressions were that the Benz Micro sounded lush and warm, which hopefully would not be too much of a good thing, whereas the Ortofon was dynamic and more neutral without being too analytical.

My dealer suggested that if I like the Benz Micro L2, I should also consider the BM Copper.

Any thought, suggestions or recommendations?
toronto416
For what it's worth, the Bronze just simply continues to amaze me. I don't pretend to be a cartridge expert by any stretch, but the Bronze caused me to immediately go out and buy about 30 various jazz vintage albums, order 50 new anti-static album liners, and sort through much of my record collection. I've pretty much resigned myself to the fact that spending any more money on CD playback is a fool's game. I've always preferred vinyl to digital playback, but now, even the convenience of CD vs. vinyl isn't enough to cause me to consider digital as anything more than a source for background music. The Ortofon is really really good.
Markmendenhall congrats on the ortofon bronze. I have heard it on 2 very expensive systems at audio shows and it did not disappoint. I have been using a Jubilee for several years and love it. If I stay in the ortofon line, which I most likely will, I will consider the bronze or black.

I am leaning towards the black because it sounds like a closer relative to the Jubilee. The slight warmth of the bronze makes me slightly hesitant. Although, it sounded awesome on the systems I heard it on...
Funny, the lack of warmth I had with the Jubilee makes me hesitant about the Black ;) Though I have a friend running a Jubilee; he loves it and he swears it took a lot of hours for it to fill in.

Some of it may be the difference in tables, but the Cadenza Bronze sounded cleaner and closer to neutral than the Kontrpunkt "c" I had. It's really just a touch of warmth, which I consider to sound very natural. Honestly it was very close to my Koestsu Jade Platinum (I've also got an older Koetsu Onyx, and the modern Platinum models are WAY more neutral than the reputation Koetsu has from its older models).

I wouldn't be surprised if the Bronze/Black were tonally much closer than their predecessors. From the little feedback I've heard (Ortofon doesn't get much attention like other brands), the Black is amazing.

Anyways, back to the OP - rest assured that is you liked the L2, you have at least a few choices that are going to be a BIG step up from that!
Mulveling you make a good point "a touch of warmth, which I consider to sound very natural."

I like that as well, the only hesitation I have with cartridges is the inability to hear in your system, on your table with your tonearm, in your room. So once you commit you are locked in. I have heard the bronze on 2 incredible systems as I mentioned and they were both IMO best in show. Obviously the whole is the sum of the parts.

Maybe I put the bronze back on the list for when the Jubilee poops out, though it still seems to have plenty of life fortunately.
Simply too many variables and subjective tastes to give a recommendation. Cartridge suspensions get stiff and the stylist wear down over time. Reading comparisons as a result of replacement of older cartridges is questionable at best.

I have been using the Benz upgrade path for years and am now using the S-Class Ruby Z. If the Benz S-Class is any indication, cartridge technology as a whole, has advanced a great deal in a few short years.

My family uses the turntable regularly and the likelihood of day to day handling has the left channel output from the cartridge somewhat compromised.

It's rumored that due to the small production staff at Benz, re-tipping and repair are very slow if they are being done at all. That leaves one with only the replacement option. While it's better than nothing it's an economic reality I'm currently forced to consider.