The myth of Direct Drives and Lathes
Direct Drive devotees often refer to cutting lathes and make claims about the suitability of DD's for replay based on their use in record cutting lathes.
I would like to point out the following :
The Technics SP02 is considered one of the best DD lathe motors. Yes it is Direct Drive, but in most cutting lathes the platter is 70lbs or so ( Neumann for example ) and designed to act as a flywheel - more weight on the outer. So in other words cutting lathes are usually using very high inertia platters to provide stability in conjunction with whatever drive system is chosen.
Most of the best classical music in my view was recorded before the mid sixties, when multi miking became popular and the engineers took over the asylum. Most music was recorded on shaft driven or belt driven ( some Scully lathes for example ) lathes with very high inertia flywheel/platters.
This to me this is a compelling argument for using high inertia, irrespective of the drive methodology chosen.
Direct Drive devotees often refer to cutting lathes and make claims about the suitability of DD's for replay based on their use in record cutting lathes.
I would like to point out the following :
The Technics SP02 is considered one of the best DD lathe motors. Yes it is Direct Drive, but in most cutting lathes the platter is 70lbs or so ( Neumann for example ) and designed to act as a flywheel - more weight on the outer. So in other words cutting lathes are usually using very high inertia platters to provide stability in conjunction with whatever drive system is chosen.
Most of the best classical music in my view was recorded before the mid sixties, when multi miking became popular and the engineers took over the asylum. Most music was recorded on shaft driven or belt driven ( some Scully lathes for example ) lathes with very high inertia flywheel/platters.
This to me this is a compelling argument for using high inertia, irrespective of the drive methodology chosen.