Does vinyl have a sound?

I think its reasonable to say that there is a lot that has to go into vinyl playback both in terms of setup and cost in order for it not to have a recognizable sound. Also, you have to have very good source material in very good condition.

This is the exception found only in a small % of all vinyl setups out there, these mostly owned by dedicated vinyl audiophiles with the significant knowledge needed to get there (or the $$$s needed to pay someone else with the needed knowledge to help get them there).

The rule, is most vinyl on most tables out there will be less than optimal setups and easily recognizable as vinyl as a result ie have a distinct sound.

Back to my earlier statement that the sound of good vinyl and good CDs tuned to the same reference standard can be hard to distinguish. But in practice, this is the exception not the rule.

I think these days one must be willing to put $2000-$3000 dollars minimum (plus significant time and expertise to set up and maintain properly, including record cleaning) into a vinyl rig to have a chance of accomplishing this.

The cost for similar digital is much less. It can be done very well for < $1000. Plus setup and maintenance with CDs is minimal once you get the right gear. Music servers are more complex, but not a big deal if one is already computer literate, a good skill to have in general these days (an added bonus).

I am a vinyl fan, but I will not sugar coat what it takes these days to get the results that many expect based on the hype. Its much easier and cheaper to get there and stay there with digital these days.

Nil, In connection with the recent passing of Dave Brubeck, I took out some of my old Columbia LP recordings of the DBQ. Gone With the Wind is a 6-eye that I have owned since new (i.e., >40 years), played it on any and every rig I have ever owned, good and bad. The LP is full of ticks and pops, but the dynamics and sense of depth are completely intact, still thrilling in fact, if you can listen past the surface noise. Paul Desmond's solos are still to die for. So, this one example would lead me to say that the sense of depth and 3D-ness that are so characteristic of the best in vinyl are not an inverse function of surface noise at all. On the other side of the same coin, some of the recent re-issues of classic LPs are disappointing in these same areas compared to the originals, yet they are dead quiet.

The op question could become a classic Zen koan. Similar to the one about "the sound of one hand clapping..."

Lewm, I don't doubt your claim at all, I was merely pointing out to OPs experience that sometime he hears plastic sound on percussion - is due to poorer set ups and vinyl up keeps, not Vinyl medium as a whole. On optimum or best set ups and equipment this should not exist is what I was trying to say. (Map said it better). This from my own experiences and climbing my learning curve.

Saying vinyl has a plastic sound really has no meaning at all. When mastering we would compare the metal stamper with an acetate with the vinyl pressing. If we did a good job they would all sound the same. The metal stamper did not sound mettalic. This is like say silver wire is brighter than copper because it looks brighter. Simply not true
Alan