Suteetat, I quite agree with you that the differences in absolute speed you posit are trivial and probably not at all audible to anyone but a super golden ear, of which there are very few. The real issue is speed stability, the ability of the turntable to maintain a constant speed over very small intervals of time (not "average" speed stability). If one were to graph time vs speed, where speed is continuously recorded, one would like to see a flat line, in other words. This is where some turntables fail and where some drive systems perform better than others. Even the Sutherland Timeline is not a perfect instrument for detecting such a high standard of speed stability, but if that red dot is moving in an irregular fashion across the wall, e.g., the red dot is displaced from its starting point by variable distances from one rotation to the next (good luck trying to measure that on a flat wall), then the turntable is probably not speed stable by this high standard. If the red dot creeps "regularly", I don't think that is so terrible, assuming the pitch is perceived to be correct; it indicates the type of slightly off-speed but stable operation you describe. My opinion, anyway.
Brinkmann vs TW Acustic
Was wondering how these two German manufacturers compare.
Bardo vs Raven One
Oasis vs Raven GT
LaGrange vs Raven AC
Is there a unique sound signature that goes up with the range? Which is a better value? (i.e. maybe the Oasis is better than the Raven AC)
Have heard both in show conditions, but could not pin-point their contribution to the end result as the rest of the system was unfamiliar as well.
Bardo vs Raven One
Oasis vs Raven GT
LaGrange vs Raven AC
Is there a unique sound signature that goes up with the range? Which is a better value? (i.e. maybe the Oasis is better than the Raven AC)
Have heard both in show conditions, but could not pin-point their contribution to the end result as the rest of the system was unfamiliar as well.
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- 207 posts total
- 207 posts total

