Why so many linn lp12s for sale


Has anyone noticed that suddenly Agon has numerous linn lp 12s for sale?
Today I counted 8! Is there something going on.....are they going out of style . Or is this just random sales fluctuation?
rrm
My gut tells me that if one goes about it right and has some DIY ability to make it right, Linn tables may still represent on of the better values out there.

If not, and support is needed at each point along the way, perhaps not as much compared to other current day options that come with good support. The support needed will also factor into the cost though.

IMHO, getting phono absolutely right to audiophile standards is NOT EASY, even for those with experience.

IF you have to rely on external support to do it, plan to pay for that support in that my experience has been that audio gear has never had high margins needed to provide extended amounts of free support and for vendors to still stay in business.

A little DIY goes a long way I would say, especially in the case of high end phono setups.
Ayre monoblocks featured NC machined-from-solid aluminium casework as did Dan D'Agostino's latest triumph - "The Momentum" pre-amp costing £32K(!) but the casework of those units is probably less relevant to their performance than a Keel is to a Linn and yet we never seemed to hear as many complaints? ;^)

Granted, they're not upgrades but they cost real money. It's all relative. To put the LP12 chassis in context an additional armboard for my TT (a small NC machined 2cm thick flat billet of aluminium) would set me back £600(!) With a top-of- the-line LP12 you also get a very good phono stage (probably worth £1-2K) making the overall cost cheaper than some competing "reference" tables. Not saying the ultimate LP12 is cheap or that I personally would buy one but it's important to maintain a sense of proportion?

Many of the reference "mega" tables are tipping the scales at over £30K. The top LP12 may or may not be in their league but it's a clear case of horses-for-courses?
The reason is obvious. Everybody wants to get the right one but need to sell his own first.
I've owned my LP12 for over 20 yrs! When the Keel was 1st introduced, the Linn dealer (who regularly tuned mine up!) in Atlanta did a demo between a keel'd and an un-keeled for a group of us. It was the single-most demo that ever made me doubt my hearing acuity. The difference was so slight, certainly not worth 4 digits, let alone 5!
interesting... now today there are 10 for sale just on Agon alone.
Is this a record(pun intended)???