Jamo1,
I've heard a lot good things about Mogami cables and absolutely agree about trying what professionals use. I'm just not sure that they use the most neutral cables since they might find similar synergy between microphones, electronics and cables. Also studio cost constrains might prohibit them from using long runs of very expensive cables. Their choices are likely to be very smart (good compromise) while many cables were not even taken into consideration since wiring whole studio with cables like Stealth Indra or AZ Absolute (that I use in 0.5m XLR) would be extremely expensive.
I also suspect that some studios might not even care since I have many CDs recorded very, very poorly.
I've heard a lot good things about Mogami cables and absolutely agree about trying what professionals use. I'm just not sure that they use the most neutral cables since they might find similar synergy between microphones, electronics and cables. Also studio cost constrains might prohibit them from using long runs of very expensive cables. Their choices are likely to be very smart (good compromise) while many cables were not even taken into consideration since wiring whole studio with cables like Stealth Indra or AZ Absolute (that I use in 0.5m XLR) would be extremely expensive.
I also suspect that some studios might not even care since I have many CDs recorded very, very poorly.

