Power Cord Flavors


Someone recently sent me an e-mail asking about warm and fullbodied power cords versus neutral, clear and extended power cords. I thought I'd post my opinion, and ask others to share theirs, too.

My system is tubes: VAC Phi 110/110, First Sound Presence Depuxe II, APL Denon 3910

Warm and full bodied in my system=
Purist Audio Dominus w/Fluid
Elrod EPS-3 Signature
Revelation Audio Precept
VH Audio Airsine

Neutral, clear and extended=
Shunyata Python and Anaconda
Electraglide Epiphany
Ridge Street Poiema!!!
Audio Indulgence Alpine Lace
TG Audio SLVR and 688
Z Squared
Absolute power cord

That's a scary list of power cords. I'm kind of shocked at how many I've owned and tried.
tvad
Grant (TVAD), for 2 reasons
1. I am a curious doode and want to know what Shunyata has done with a PC I already love.
2. The only way to subscribe to a thread is to post to it.
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Guido, that's understood. Welcome to the thread.

I'm going out on a limb here (tongue firmly in cheek), and I'm going to postulate that in my system the Helix cords will still be neutral, clear and extended, and in Jmcgrogan2's system the Anaconda Vx Helix will still be the most neutral cord in the warm category.

Wanna bet?

Do you have any power cords that you have heard in your system that you'd like to add to the list and categorize as warm and full bodied, or neutral and extended?

TVAD, I thussly confess that I am one of the doodes that buzzed around BabyBear during his analysis. I concur with all his findings. I should only like to add the following: One of the chords he lists is the Kimber Palladium, which we found to be extended but also having a lot of harsh upper glare, so much so that in works having legato treble lines, such as Violins, flutes, etc. . . the treble was so glaringly prominent to hide the detail of midrange and bass.
BabyBear's characterization of the Tara The One is right on. in addition, with that PC on the amp, Jean-Pierre Rampal's flute in J. S. Bach Flute Sonatas sounded somewhat unnatural and bloated/boomy, more like a trumpet than a flute. Nordost Valhalla was delicate and extended, but trim to the point of sounding anorexic in the midrange. Conversely, a phenomenally graceful result, having controlled top to bottom extension, just the slightest tuneful bloom in the midrange, and a vast and tightly-defined stage was finally achieved with an Epiphany on the digital source, Anaconda Alpha on the linestage and Elrod Statement on the amp. Needless to say. . . your mileage may vary
Guido, I can imagine the combination of Epiphany, Anaconda Alpha and Elrod Statement was outstanding. I'd be curious to know how substituting just a Python Alpha for the Anaconda Alpha would affect the results.
Norm, I will let BabyBear comment about Anaconda VS Python on his system. I did an Anaconda VX versus Python VX comparison last year on a Teac Esoteric X-01. By comparison the Python had a smaller soundstage, less defined imaging, fuzzy bass, less detail and was in genral less involving than the Anaconda. Note for posterity: my findings were with the old Python, not the new Helix version.