Well, I picked up a set of Goertz MI-2, and briefly evaluated them over the weekend. They replaced a set of stranded Esoteric cables that I have had for many years.
The MI-2 is definitely clearer and more coherent. I think the timbral accuracy of instruments is better. I don't notice any more or deeper bass.
But the improvement is not as much as I had hoped. The soundstage and imaging is not very good.
It seems I have some other problems in that system. I need to get some acoustical treatments, and I need to figure out if the Nak receiver has gone bad(it used to sound pretty good in the other room). I also need to see if there is a problem with the Legacy Classics. I had been assuming, if I used better cables, they should perform similarly to my Legacy Signature IIs in the other room, but maybe that is not the case. The Sig IIs throw an expansive soundstage, with much greater imaging.
Perhaps I was overestimating the contribution of speaker cables to the overall sound result. If these Legacy Classics cannot sound significantly better than this, I am going to want to try something different.
The MI-2 is definitely clearer and more coherent. I think the timbral accuracy of instruments is better. I don't notice any more or deeper bass.
But the improvement is not as much as I had hoped. The soundstage and imaging is not very good.
It seems I have some other problems in that system. I need to get some acoustical treatments, and I need to figure out if the Nak receiver has gone bad(it used to sound pretty good in the other room). I also need to see if there is a problem with the Legacy Classics. I had been assuming, if I used better cables, they should perform similarly to my Legacy Signature IIs in the other room, but maybe that is not the case. The Sig IIs throw an expansive soundstage, with much greater imaging.
Perhaps I was overestimating the contribution of speaker cables to the overall sound result. If these Legacy Classics cannot sound significantly better than this, I am going to want to try something different.

