Not all networks are created equal! I have vast experience as well over many systems/technologies. Synergy matters and results are dependant on music bias, room and component matching. Some non-networked cables may find a place in the mix and in certain circumstances/component mixes. All that said, Transparent uses in-line filters, so accordingly one may hear a loss if micro detail (haze). MIT is vastly superior and uses networks outside the signal path to assist in the most efficient transfer of the audio signal as possible. Systems need to be treated holisticaly and assembled judisciously for maximum efficacy. If this is done, an MIT Gen 3 or newer cable wil vastly outperform a competitive non-networked cable.
VAC / Wilson cables
Before year end I'll be replacing my VAC Ren 70/70 with Kevin's current iteration, the Phi 300. I've already upgraded from Wilson's Watt/Puppy 5 to Sophia 3. The cables, however, remain Transparent Reference.
I'm wondering, having upgraded at each end, if anyone has experience with a more current and improved speaker cable ? The pre-amp is Shindo's Giscours, fed by the Miyajima Kansui on a TW Limited table. Chamber, vocals, and keyboard is the diet.
Thanks,
-john
I'm wondering, having upgraded at each end, if anyone has experience with a more current and improved speaker cable ? The pre-amp is Shindo's Giscours, fed by the Miyajima Kansui on a TW Limited table. Chamber, vocals, and keyboard is the diet.
Thanks,
-john
- ...
- 31 posts total
- 31 posts total

