Thanks everyone!
I'm keeping them apart: don't want to mess with a good thing. I seem to have 'zero' smearing due to any kind of interaction between the highs, mids and lows.
I have this one CD (Acoustic France) where on one track, a woman walking across the stage, left to right. With every cable I had, there was a slight arc to her path, going higher as she reached the center, and going back down to the other speaker. When I first inserted the Mapleshades, she just went left to right on an even keel. When I added the Clear Day cable, nothing changed in that perception save the added body to the lower mids and bass.
There is something at work here and yes, this is the most fun I've had with my system in a very, very long time. Piano registers are very convincingly done and the instrument stays flat and parallel to the ground. Separation is the best I've experienced. This is so rewarding a gain for so little an investment.
All the best,
Nonoise
I'm keeping them apart: don't want to mess with a good thing. I seem to have 'zero' smearing due to any kind of interaction between the highs, mids and lows.
I have this one CD (Acoustic France) where on one track, a woman walking across the stage, left to right. With every cable I had, there was a slight arc to her path, going higher as she reached the center, and going back down to the other speaker. When I first inserted the Mapleshades, she just went left to right on an even keel. When I added the Clear Day cable, nothing changed in that perception save the added body to the lower mids and bass.
There is something at work here and yes, this is the most fun I've had with my system in a very, very long time. Piano registers are very convincingly done and the instrument stays flat and parallel to the ground. Separation is the best I've experienced. This is so rewarding a gain for so little an investment.
All the best,
Nonoise

