Help with speaker cable under $500 for new system


Hi...HELP!

I know very little about speaker cable and have never owned any but "budget" cables. I have just bought the following:
Hegel 160 Integrated Amp
ATC SCM 19 v2 sealed box speakers

Will be set up in a large open greatroom with speakers about 10 feet apart (need one cable about 4 feet and the other about 12 feet). I listen primarily to jazz, blues and reggae at CD quality streamed from an iMac to the Hegel.

Help me find the right speaker cables under about $500 a pair? Am happy to stay with Bluejeans or Monoprice if the difference won't be really noticable.

THANKS!
ptolomy2
Audioquest CV6 used if you can find it is very solid and affordable.

Other than that maybe consider pro wires like Mogami for good no nonsense value overall.
Hi Kijanki,

The resistance of 24 feet (12 feet per conductor) of 24 gauge solid core silver is about 0.57 ohms, corresponding to the damping factor of 14 that I had mentioned. That in turn being almost in tube amp territory.

23 gauge copper has a significantly lower resistance than that. Would you use 23 gauge copper for a 12 foot speaker cable, and not expect it to introduce perceivable colorations/inaccuracies relative to the MUCH heavier gauges that are more generally used? I note, btw, that your Satori's are 10 gauge, having about 1/20th the resistance of 23 gauge.

Best regards,
-- Al
Al, 23 gauge copper is not that different (0.489 ohms).
Damping factor of 14 is OK since, as I mentioned, speaker
itself limits it to <2. Atmasphere amplifiers have DF<1 and
are highly praised.

I'm not sure how significant difference in colorations would
be between DF=2 and DF=1.8

Choice of higher gauge might be more practical - 23 gauge is
fragile to work with. Also, there might be cables much
longer than 12ft where it will start playing role.

My cables have very weird construction with multiple wires
on huge hollow tube. My suspicion is that they want heavy
gauge to reduce inductive reactance but at the same time
split wires to avoid smearing by skin effect that starts at
about 18ga/20kHz. Stranding itself wouldn't help since
current would jump from strand to strand (bad) to outside
while insulating strands helps a little, but they are still
in magnetic field of each other. Possible solution is to
place them on the hollow tube - so that they are in magnetic
field only of the neighboring strands, or weave them into
flat tape (for the same reason). It is all black magic, but
at least I can see what they are trying to achieve. What
puzzles me is presence of one single strand that is
insulated but stranded again inside (10 tiny strands).
Going by engineering principles would make us to buy only a
lamp cord from Home Depot :)
"Going by
engineering principles would make us to buy only a lamp cord
from Home Depot. "

Is that so bad? There are many other effective ways to tweak the sound. I've put conventional stranded 12 gauge speaker wire into the mix with my gear on occasion out of necessity and have lived to tell. :^)

Back in simpler times, I just recommended lower gauge heavier speaker wire, usually 12 gauge, for everyone if possible and they all lived happily ever after, as far as I know.

I suspect most pro wires follow the same simple principles to produce durable and good sounding speaker wires. There is something to be said for that.
Kijanki, the output impedances of the most popular currently produced Atmasphere amps are in the 2 to 7 ohm area, corresponding to damping factors ranging from a bit more than 1 to about 4 (for an 8 ohm speaker). While those amps are indeed very highly thought of, Ralph/Atmasphere would be the first to admit that his amps are not suitable matches for many speakers, especially given that a considerable majority of available speakers have presumably been designed with the expectation that they would be used with solid state amps having high damping factors/low output impedances.

I certainly agree that the importance of damping factor is often way overblown, especially when the numbers get into the hundreds, not to mention the thousands. But at the same time I don't think it should be ignored altogether, especially when the numbers get into the low double digits. And especially when a solid state amp is being used, and what one presumably wants to hear from the amp is its intrinsic sonic character, not its intrinsic sonic character as modified by avoidable cable effects, even if those effects are small.

Best regards,
-- Al