State of the Source: Server, computer....or what?


There has been a lot of discussion here about the impact of having the best possible DAC for digital playback, from a long-runnning thread on Lampizator to the current thread where member Mattnshilp has been trying out a variety of DAC's in order to select what sounds best to him, but what constitutes the best sounding digital source?

So the questions for this thread are, what digital source sounds best to you and why? What features do you like in the manufactured music servers? And, can the sound quality from a well sorted-out Mac mini or CAPS style computer/server, with linear power supply, SSD, and the associated ability to use a variety of music players, upsampling options, memory play, and EQ, compare favorably with the manufactured server options that use preloaded programs or, are the differences primarily related to the manufactured options being easier to use than a computer, which requires the user to load and maintain the programs used?
mitch2
As I continue to research the potential benefit of a dedicated audio server, two reasonably priced options seem to be the Antipodes DXe at about $4,000 and the Aurender X100L at about $3,500.

In comparison, the Aurender X100L would seem a better option because of an internal 120GB SSD cache for "latency-free playback", and two onboard 3TB HHD storage drives while the higher priced Antipodes DXe offers only HDD storage, with 1TB for the base $4,000 price, 4TB for $5,000, and no SSD until you upgrade to their more expensive DX Reference model. On the plus side, the DXe provides "Internal Linear Regulated Power Supplies" and an onboard "Auto CD Ripper." Both offer quiet operation with no fans to be found in either unit.

The Aurender's "fanless Switching Mode Power Supply" that "delivers stable power to non-audio components" is disappointing since, to me, that may be the only poor design choice in the unit. Being internal, it would not be easy to replace with an outboard linear supply. Replacing it would require an operation like on my Mac mini, where the original supply is entirely removed and a jack added or, in the case of my mini, a hard-wired cord. Maybe they believe it is not a problem since although their next model up, the Aurender S10, uses a "low-noise linear power supply to effectively minimize jitter and noise," it also uses a "fanless Switching Mode Power Supply" to deliver "stable power to non-audio components."

If I were to purchase today, of these two, I would probably select the Aurender XL100L because the interface is supposed to be excellent and the combination of 6TB of on-board storage plus the SSD would be hard to beat...if it just didn't have that SMPS.

However, nothing I have read about so far compels me to purchase a server at this time, since either option seems to be a sideways move at best compared to my Mojo Mac mini set up, which already has an outboard 2TB AV HHD that is powered by the same linear supply that powers the mini, and that connects with the mini using a special non-powered firewire cable. Since my DAC has an internally powered USB input, I run the USB from the mini into a filter and galvanically isolated (ifi) power unit and then into the DAC using a non-power USB cable. By using Pure Music as a player, I can upsample to 24/88.2 (or whatever I choose) and playback from the SSD in memory mode, so the HHD is only used for storage. I suspect the reviewers who keep writing about computer sources sounding "thin," in comparison to audiophile servers such as the Antipodes or Aurender, do not have their computers optimally set up with linear power supplies, SSD and outboard storage.

I plan to keep looking but, at least for now, I am not compelled to give up my computer set-up for a dedicated server. Servers, DACs and computer audio have all made huge advancements in the past 5 years and continue to improve with each year's models eclipsing previous versions. That is another reason I am struggling with investing upwards of $5K on a new server at the present time.

I found the following quote from 6moon's Srajan Ebaen interesting, given that he has heard/reviewed several top notch servers and has been into computer audio for quite awhile now. Even more interesting since Srajan's computer is not powered with a linear supply, which I found to improve tonal density and dynamics.
But what I'd concluded after my encounter with Aurender's top €15'000 server became a syndication for the aria to have me quite unshakeably sure now. A properly configured top-drawer iMac—library on 2TB HHD; OSX and PureMusic & Co. on 256GB SSD; 16GB of RAM for memory play to spin down the HHD entirely; bypass of redundant processes; 64-bit software upsampling etc—still makes life for costly audiophile servers most difficult indeed. So far I've not heard a truly compelling sonic reason to join the seemingly credible but quite off-key chorus that computers are bad for audio. If you do it right, it just ain't so!
Once you commit to a specific music server setup it is a non-trivial task to switch to another system. Between the ripping, tagging, playlists and comments someone can have more than a thousand manhours invested in a setup. There is very little incentive to change. One of the few easily changed items are DACs and cables.
Mitch2,
How much for Antipodes' DX Reference?
Does "audioengineer" carry these?
Fla, their flagship model Antipodes "the Reference" appears to have a retail price at just below $7K. Perrotta Consulting is the only dealer listed in the USA.
We - Vapor Audio - have had a relationship with Antipodes for a few years now, attending many shows with them, and using their servers ourselves exclusively. We are also dealers for their full line, and will be showing their new products, including the around $1000 DP Network Player. We currently have a few lightly used Antipodes servers available as well.

Their sound quality, reliability, and ease of use are all impressive. Yes, there are a lot of compelling options these days for music servers, but the Antipodes certainly deserve consideration.