Newbee wrote:
"Using the term neutrality as a goal is, for me, no different that using the phrase absolute sound, i.e. live music (thanks to Harry Pearson). It is unachievable and serves no really purpose other than to put consumers on an endless (and expensive) pursuit (goal) of the achieving the impossible. It works well for folks with commercial interests though."
I have no commercial interests of any kind in the audio industry. I don't even know anyone who has a commercial interest in the audio industry.
In addition, I don't see how treating neutrality as a virtue in an audio system is any more likely to lead to equipment addiction than treating resolution, transparency, dynamics, imaging, etc. as a virtue. Any one of these characteristics can be fetishized, if a person is so inclined. I do not believe that I have fetishized neutrality in this thread. In fact, in my original post, I wrote:
"I’m not suggesting that neutrality is the most important goal in building an audio system..."
In a subsequent post, I wrote:
"As to the doubt, expressed by several posters, that neutrality is a vital consideration in assembling a satisfying music system, I am actually somewhat agnostic."
As I believe is obvious from these comments, I do not think that neutrality is of paramount important, of exclusive importance, or of essential importance. In my view, it is simply one goal among many. That is the view I have expressed throughout this thread. To suggest otherwise is to make a straw man of me.
"Using the term neutrality as a goal is, for me, no different that using the phrase absolute sound, i.e. live music (thanks to Harry Pearson). It is unachievable and serves no really purpose other than to put consumers on an endless (and expensive) pursuit (goal) of the achieving the impossible. It works well for folks with commercial interests though."
I have no commercial interests of any kind in the audio industry. I don't even know anyone who has a commercial interest in the audio industry.
In addition, I don't see how treating neutrality as a virtue in an audio system is any more likely to lead to equipment addiction than treating resolution, transparency, dynamics, imaging, etc. as a virtue. Any one of these characteristics can be fetishized, if a person is so inclined. I do not believe that I have fetishized neutrality in this thread. In fact, in my original post, I wrote:
"I’m not suggesting that neutrality is the most important goal in building an audio system..."
In a subsequent post, I wrote:
"As to the doubt, expressed by several posters, that neutrality is a vital consideration in assembling a satisfying music system, I am actually somewhat agnostic."
As I believe is obvious from these comments, I do not think that neutrality is of paramount important, of exclusive importance, or of essential importance. In my view, it is simply one goal among many. That is the view I have expressed throughout this thread. To suggest otherwise is to make a straw man of me.

