Class "A" solid state vs. Tube amp.?

As offensive as this may sound to many tube lovers out there I find the sound of well designed solid state to be categorically better than virtually any tube amp unless your system is seriously flawed and requires tube coloring to disguise such flaws. In my experience most tube amps break-up when forced to reproduce complex passages of either classical, rock or jazz (i.e. large dynamic peaks, many instruments overimposed, etc.). The only exception are the "over-engineered" megabuck tube amps with which I have little experience but which in any event do not seem to overperform well designed solid state gear. Although tube coloring via excessive mid-bass and rolled highs is in many cases a tempting cure for poor recordings or poorly designed systems I believe there is solid state equipment out there which vastly outperforms these intricate system/tube pairings. If you want names I suggest you look at Plinius, Krell, Levinson, Rowland, as well as some less pricey stuff from such as Marsh, GamuT and Sunfire.Of course the rest of the system needs to be up to par.

The only transistor stuff that approaches the musicality of tubes is Naim. For the most part, still prefer tubes but could and have lived with Naim .Had lot's of Class amps over the years as well, but not in the same league as tubes (or Naim).

ss is the way to go BIG TIME . thats only my thoughts , listen for your self. my system consists of all krell and apogee .

Chedo: What is the rest of your system? It's a hard call because tubes really do it for popular and traditional acoustic music and class "A" is great for classical, especially if you have the power/current reserves for musicical peaks. There are also many different tube sounds to choose from depending on the size of you room, the volumes at which you listen and your speakers. Stating your budget will also allow the experienced ones at this site to make real world suggestions (I am not a part of this group assuming that your budget is a plump one). My only long term experience is with push/pull tube and class "A" and "A/B" SS amps. I am learning about SET 2A3's, 300B's and other varients using EL34 etc. tubes. Getting good results from the latter group is very system dependent, and requires careful planning, but it is worth the effort from what I have heard so far. It's a good thing that I have a moderate budget or I would never be able to make up my mind, I mean you have to commit at some point.

Joe welcome back. Well in response to your comments I am from the accuracy camp in audio reproduction. That is I want to hear what is on the recording as accurately as possible. It is really in the midrange that tubes have that presence that seems to elude solid state at least to my ears. I really don't know how much you have listened to tubes or what you have listened to since you don't give an example. Might I suggest you try a ARC VT-100 Mk2 to compare with those in your post and report back your findings. And so far as music breaking up through tubes, who told you that? It makes me wonder if you have ever listened to tube electronics at all. I have heard most of the amps you mention. A few years back I put my MC-60's side by side with a Sunfire amp in the store running through both B&W 805's and NHT's 2.5i's which I ultimately bought. EVERYONE who listened, customer and sales person alike were quite taken with the 45 year old Mac's and several commented on how much better they sounded on vocals. But maybe it is 2nd harmonic distortion characteristic of tubes, all I know is it sounds more real to me.