Classics and Cults. Bogus Journalism?


Classics endure, it seems, even as technology improves. Regardless of the new stuff, people still seem to agree that the AR SP-11 is a very good pre amp, that VPI TNT turntables are wonderful, that the Levinson 30/31 combination is a great CD player etc. Some, gear however, bursts onto the high end scene in a flash of glory, only to disappear off the face of the earth and never be mentioned again. What's going on here? I was thinking recently of the Crown Macro Reference, an amp that I never heard but I recall that it was briefly the best thing in the world with the high end audio press, only to never be mentioned again and presumably trade at deep discounts. There was another amp -- made in a garage somewhere -- maybe some of you recall the name -- that despite its low cost and simple SS design, was possibly the best amp EVER in the world. It was back ordered forever, only to disappear and never be mentioned again. Can anyone else think of products like this? Are these just spurious reviews or were the writers drinking Krug and Chateau Lafite courtesy of the manufacturers before sitting down at their keyboards?
cwlondon
Cw; I think Detlof's post is right on-- wish I had written it. In the high end, it seems that even well recognized products/names have a tough time of it. About the time I bought a McCormack DNA-2DX amp, the company essentially folded in a divorce settlement (as I understand it). I was glad to see McCormack picked up and continued by Conrad- Johnson. Sonic Frontiers, another largish company also almost went under after I bought a Line 2 pre-amp, and I was happy to see them purchased by Paradigm, and Paradigm by someone else. Geez. For awhile, I was beginning to think these business difficulties were MY fault. Cheers. Craig.
Anyone remember the Paragon preamp circa 1978? Or the Electron-Kinetic amplifier by Jon Iverson of about the same time? But BEL is definitely alive and kicking.
Oops. The John Iverson (not Jon) amp was called Electro-Research, the A-75 I believe.
Back in the mid to late 70's a company call GAS (Great American Sound Company) presented two power amps to the market. They were called (for those of you that don't remember no laughing, this is true) Ampzilla and Son of Ampzilla. If my memory serves correctly they got some rave reviews then promptly disappeared. I remember seeing a used one advertised about two years ago. Anyone remember them? Anyone ever have one? Thanks, Doug
Garfish, thanks for your kind words and Doug, there was even an amp by Jim Bongiorno, designer and proprietor of GAS called Grandson (of Ampzilla). All his designs carried a huge pair of sexy looking watt meters in front, were full of fairly cheap parts, had plenty of slam and slightly nasty highs when pushed. That's all I can remember. Don't know what happened to JB. RCPrince, I've also owned one of the early BEL's, beautifully made and layed out, the bass of which indeed proved as a revelation at the time, but I also remember sweet and quite extended highs. Used them for a while on Quads and later to drive my Maggie bass panels, where they proved to be a bit underpowered. Drubin, John Iverson's career as a designer and businessman I think, is a typical case in point to my first post in this thread: He was always undercapitalised, was catapulted by positive reviews in the press into a flood sudden demands he could not meet, hence got heavily into debt in building up the necessary production infrastructure, tried to sell direct, when his turnover slowed, annoying his dealers, was understaffed, so that repair turnover time was long, so annoying his customers as well and one day or rather night, the man just disappeared, leaving house, wife, production place and has to my knowledge never been seen or heard of since. But enough of gossip already! Sorry for the typo: Modjieski's preamp was called the Beveridge, not Beverdige, as I had written. Perhaps someone remembers now?