Linn or VPI

I thought it might be nice to hear from someone on the other side of the fence. I like the way that the Linn handles the mid-bass. Yes, still a small hump and not as literal as the VPI, but more liquid and bouncy. The transition from the upper midrange to the low treble seems to have a bit more bite and sparkle as well. That too suits my tastes. The modern Linns hold set-up very well but are still more needy than the set-and-forget VPIs. Try to spend as much time as possible listening to both. This is clearly a major buying decision. BTW where's TWL he'll weigh in with another excellent alternative.

Here I am. I have owned a Linn and liked it very much. However, I am a factory trained Linn set-up guy, so I didn't have to worry so much about set-up and periodic adjustements. Even though the EKOS is an old design, it is still very competitive with the top arms.

That being said, I think I would go for the TNT, as the Linn is getting a little long in the tooth, and can be bettered in the higher price range tables.

I would also recommend a look at the Teres Audio website. They have tables that will compete with anything, at very reasonable prices. I use the Teres 245, and would put it in a shootout with a TNT any day of the week.

I haven't owned the TNT, but I did have an HW-19 jr. I switched to a Linn with Ittok & Lingo for the reason you suggested. I was thrilled with the VPI until I heard the Linn in my system. The dynamics of the VPI are superior to the Linn, but the Linn gives the music much more "life," thus, more musical. I also have a friend who gave up his TNT for a Linn.
That's my opinion. I think it is something you'll have to hear for yourself and decide what you prefer.

If i had to choose between these two tables, there is no doubt in my mind as to which direction i would head in. Personally, i would go for the VPI and never think twice about a Linn. Linn's are EXTREMELY tweaky and need someone that is willing to fidget with the table quite a bit, have very poor isolation from external vibrations, have a tendency to suffer from acoustic feedback when other tables stroll right down the same path unhindered, etc... I am basing this on my past experience with older Linn's from many moons ago, so take that into account.

As others have mentioned, there are several other alternatives to the tables that you are looking at. This is not to say that the VPI is a bad table, only that i think that you might be able to find alternatives that may be more appealing in the long run. I know that Albert likes the Basis / Graham combo and Twl has already commented on the Teres, which seems to be a nice design also. Personally, i am a fan of Sota tables for very specific reasons.

I would take a look at ALL of your options very carefully. With the amount of info and resources that we have nowadays with the internet, one is no longer at the mercy of local dealers trying to "pimp" their products, possibly at your long term expense. Sean
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I'm curious why you have limited yourself to Linn and VPI? There are many excellent turntable choices these days. The big drawback to the Linn has always been the set-up issue. I personally would not want to rely on someone else to keep my table in tune. Linn is the only one I'm familar with that has this problem. In this digital age anyone wishing to spin records would be well advised to learn how to do their own set-up and tweeking. My first "real" table and arm was a Linn. Since then I've owned Sota, VPI, Well Tempered Classic, and for many years now have been very pleased with my Well Tempered Reference. While the Linn is an excellent table I believe it has long been surpassed by many other brands. If you want to stick with VPI you might give serious thought to the Aries, which has a much smaller footprint and is easier to set-up.