Good, Neutral, Reasonably Priced Cables?


After wading through mountains of claims, technical jargon etc. I'm hoping to hear from some folks who have had experience with good, neutral, reasonably priced cables. I have to recable my entire system after switching from Naim and want to get it right without going nuts! Here is what I'm looking for and the gear that I have:

Looking for something reasonably priced-i.e. used IC's around $100-150. Used speaker cable around $300-400 for 10ft pair.

Not looking for tone controls. I don't want to try to balance colorations in my system. I'd like cables that add/substract as little from the signal as possible.

Looking for something easily obtainable on the used market i.e. that I can find the whole set up I need without waiting for months and months. I guess this would limit you to some of the more popular brands. Without trying to lead you, here are some I've been considering:

Kimber Hero/Silver Streak
Analysis Plus Copper Oval/Oval 9
Cardas Twinlink/Neutral Reference (Pricey)
Wireworld Polaris/Equinox

Here is my gear:

VPI Scout/JMW9/ATML170
Audio Research SP16
Audio Research 100.2
Rotel RCD 971
Harbeth Compact 7

I would really appreciate your help on this. Thanks, as always.
dodgealum
As a bystander... are you just going to try the damn cables and see what you think Sean? Free trial is free trial, your potential time lost is your potential time lost, however the possibility of finding a path to better sound is why most of us are here.

Would love to hear your honest opinion.
My point is not to say that engineering doesn't count. My point is that the sonic results AT THE EARS and in IN THE CONTEXT OF THE SYSTEM BEING USED is the ultimate "test".

As I have been involved in the cable business on the sales end, I have seen many situations where very expensive cables have fared poorly and were replaced with inexpensive cables, and vice versa. In all cases, the cables had good anecdotal reputations in other systems. Nothing is perfect in every application. The fairest method is offering a trial period for the user to asess the performance in his/her system context, for his/her preferences in sound. We do this, and so do some other cable makers.

In some cases, what we thought "should have been better" was not better in the views of the user. Was the user wrong? No. The user must decide for himself what he/she likes or dislikes in conjunction with their other components.

It is impossible to say that any particular cable will be preferred in any particular system. Too many variables involved, including user preferences which cannot be predicted.

When someone calls me to try our cables, I never say that our cable will be sure to beat out whatever else they are considering. I only say that our cables are very good, and stand a good chance of being the best ones that they audition. If this doesn't turn out to be the case(with them as the sole judge), they can send them back for a full refund within 30 days. I don't know how to be any fairer than that.

DISCLAIMER: I work for a company that manufactures audio cables, vibration control devices, racks, stands, audio electronics components, and speakers. All have a 30-day money back, 100% satisfaction guarantee.
I agree wholeheartedly with the intent of Sean, Tommywall and others above. There is a huge need in my view to finally get some of this cable craziness over with and down to a set of rational scientific models that are testable and verifiable. $6000 power cords are simply an unsustainable bubble, and despite the audibility of differences, I start agreeing with the many who become disallusioned and contemptuous toward audiophiles.

There is enough knowledge and data to do a research program that would sort out many of the questions and assertions above. No theory will account for every case or describe all of the fine detail, but you should certainly be able to get the main points right - cables are not black boxes. That includes the contributions of line impurities, filters, and break in.

Any valid studies have to be done as peer-reviewed white papers; it is the ONLY way they will be respected or accepted. Further, given the true complexity of electromagnetic field theory and electron flow models, it is pretty certain that anyone doing such work needs to have academic help or have advanced background themselves.

Despite all of the arguments about the importance of ears and preferences, I predict that if a series of good papers came out documenting the best construction techniques and best approaches to power handling, most audio design would follow along quickly.
Hear, hear Flex. If we don't know what we don't know, let's learn some of it! At the end, the ears are the judge, but we can get better at this through research.