What CD has the best production/sound?


I'm looking for CDs to show off my system. What is the best CD (non-24/96) for sound/production? My vote is Steely Dan's 2 against nature. Yours?
neilro
Another highly rcommended cd would be the soundtrack to The Living Sea disc by Sting. The sound is excellent and the disc is very enjoyable. Different than you might expect from Sting.
I've got to second Trelja's recommendation for Lucinda Williams "Car Wheels On A Gravel Road"-- on trks #7 and #12, the soundstage is wide and deep with percussion and other instruments exploding all over the place. It should be noted that this is an HDCD recording. Cowboy Junkies "Trinity Sessions" is also excellent. I also like all of the Enigma CDs for bass excitment. Cheers. Craig.
Any of Patrick O'hearns CD's,Al Dimeola's Kiss my Axe is what I use to get the audio orgasm in terms of the soundstage depth and with. Enigma also gets my vote
The JVC XRCDs remasters are excellent including Count Basie, Sarah Vaughn, Bill Evans, Miles Davis, Art Tatum, Coltrane and others. If into jazz GET THESE! Also a good direct to disc on 1 gold cd is "For Duke"/"Fatha" on MK Realtime direct from Miller Kreisel.
Here's another vote for "Songs of a Circling Spirit". Joni Mitchell's "Court and Spark" sounds fantastic, and is regarded by recording engineers as an examplar of the art, or so I'm told. Every re-mastered release I've heard is very good, on the other hand. All of the remastered Steely Dan works are quite enjoyable. If you remember Cat Stevens the first time around, the recently released disk of remastered hits will melt your soul. Or try the remastered releases of the first half-dozen or so of Elton John. I agree with a previous poster who commented that jazz and blues are often well-recorded (thanks to care taken by engineers and producers who know and love music). Here's a rule of thumb: if it's aimed at the popular mass market and in current release, it's probably not very good.The reason: excessive use of compression to make it sound good on a boombox or car radio. Go play "Supernatural" on your computer's CD-ROM drive and with crappy little plastic box speakers, and then go play it on a high-end system, and see if it doesn't sound better on the computer. On a high end system, the "wall of sound" of near-constant amplitude lacks dynamics and is relentlessly in your face.