Tough question to answer.
Buy what you want to try! Most of the LPs in the thrift shops are not going to be "valuable" except to the buyer.
I have found stuff like STEREO shaded dogs (mono are nice but cheap resells)(the dead wax codes start with 1s, so a 79s is pretty much a later issue) and Merc 90000 series. six eye Columbia or later two eye Columbia (Columbia dead wax stampers start 1A then progress throught the alpha to 1aj etc then 2a... so an early pressing is more desirable, That means even if you have a title, look at more to find an earlier pressing... a GREAT way to spend/waste time)
The other labels matrix numbers are a secret art know only by a small cabal of LP mavens... not me sadly.
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Condition is everything: a scratch makes a LP WORTHLESS. (unless it is a rare and valuable one say a 'Blue Note jazz LP') Dirt is not a problem, except it can hid scratches. A DULL surface usually indicates the LP is very worn, especially if dull more towards the center. (but some labels are pressed with an even but dull finish.)
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A badly worn jacket should NOT be passed up automatically... it can and often does hid a very good condition LP. and conversly, a great jacket may contain a dreadful ruined LP.
Stereo is rare before the mid-60's and any LP from before then will certainly be MONO. Avoid 'electronically rechanneled for stereo" they suck... get the original mono instead.
Never buy any without checking that the label and cover match. And folks DO buy Lps just to get a better cover.
LPs without the barcode on the back are earlier than ones with a barcode... and more collectable.
Remember that scuzzy LP may be the only copy you will ever see, or it may be super common... experience is the teacher.
And pass on those Mitch Miller singfests, so other seachers have something to slog through too!
Buy what you want to try! Most of the LPs in the thrift shops are not going to be "valuable" except to the buyer.
I have found stuff like STEREO shaded dogs (mono are nice but cheap resells)(the dead wax codes start with 1s, so a 79s is pretty much a later issue) and Merc 90000 series. six eye Columbia or later two eye Columbia (Columbia dead wax stampers start 1A then progress throught the alpha to 1aj etc then 2a... so an early pressing is more desirable, That means even if you have a title, look at more to find an earlier pressing... a GREAT way to spend/waste time)
The other labels matrix numbers are a secret art know only by a small cabal of LP mavens... not me sadly.
-------------------
Condition is everything: a scratch makes a LP WORTHLESS. (unless it is a rare and valuable one say a 'Blue Note jazz LP') Dirt is not a problem, except it can hid scratches. A DULL surface usually indicates the LP is very worn, especially if dull more towards the center. (but some labels are pressed with an even but dull finish.)
--------------------
A badly worn jacket should NOT be passed up automatically... it can and often does hid a very good condition LP. and conversly, a great jacket may contain a dreadful ruined LP.
Stereo is rare before the mid-60's and any LP from before then will certainly be MONO. Avoid 'electronically rechanneled for stereo" they suck... get the original mono instead.
Never buy any without checking that the label and cover match. And folks DO buy Lps just to get a better cover.
LPs without the barcode on the back are earlier than ones with a barcode... and more collectable.
Remember that scuzzy LP may be the only copy you will ever see, or it may be super common... experience is the teacher.
And pass on those Mitch Miller singfests, so other seachers have something to slog through too!

