Has anyone had experience with the Schroeder Arm


In a high res setup has anyone been able to compare this arm to the top pivoting competition.I think that the fact that the pivot is magnetic as opposedto a bearing like a unipivot(needing damping) should on paper be less resonant and maybe sound better.I currently own,and,am happy with a Graham 2.2,but the idea of a true frictionless bearing (all bearings have some degree of friction)really could make a real difference in a good setup.I'm not interested at the moment in straight line trackers with air bearings (although I love some of them)due to the hassle of external pumps and tubing runs.
sirspeedy
For those who may feel they can add a meaningful reply,how do you think the SCHROEDER REF could stack up against a really good air bearing design like the AIR TANGENT or the KUZMA AIRLINE.I was at a friend's house last week who has an AIR TANGENT/Titan combo and the open and airy sound just blew me away.We the left to go over to another friend with,also,outstanding equipment and the sound,although very detailed and open,just could not match the previous set up in the relaxed and bloomy way my friend,Sid's, set upstruck me.I know I'm leaving myself open to the fact that the rooms and equipment were not identical,but I have enough intimate knowledge of and EXPERIENCE with both set ups (friend"B"has,like me, a Graham 2.2)to feel that the lack of bearing friction must play some role(and,yes,I have my fluid level exactly where it should be).I have concluded(just my opinion)that the lack of any bearing friction(straight line trackers with air bearing or an arm like the seemingly unique SCHROEDER)must have a significant impact on a high rez(and,I'm sorry,but,it doesn't even have to be all that full range for those of you who are so insistent on that)set up.
Mr. Schroder, Thanks for your responds and information about tonearms. I found www.diyaudio.com which more interesting to me.
Frank, I am using your Reference Arm on a Garrard 501 with a Decca Jubilee cartridge. In carefully adjusting everything yesterday, I once again found how critical the dampening is at least with this cartridge. If I put too little dampening on the system begins to motorboat. Just more than that, however, is quite open and effortless which is lost if you add further dampening. As you suggested, the Decca and Reference work well together.
Hello, I live in Spain. I would like open other question, because I can read some opinions from Frank. AT least...
I tried to buy Reference arm some months ago... I sent several mails to England and China...Nobody can reply correctly me and finally I did must choose other toneram..
The questions is what is the dealer role in this "internet" world. They won about 30-40% from the bill (In Reference Arm a lot of money) and they dont have any service in my case neither toneaerm set up, nothing...
Hello!
Sorry to hear that you didn´t get a response from England. Was it GTAudio(www.gtaudio.com) you´ve contacted? Now, China is a different story. I don´t have a distributor in China, so who was it you tried to get in touch with?
Besides all of that, it would have been quite easy to get in touch with the spanish distributor, Cosmos Hifi.
The role of distributors/dealers is quite clear. Not everyone has the experience/knowledge to set up a turntable. Those with a love for music but ten left thumbs ought to leave it to their dealer to get the best out of their system(fewer and fewer dealers around who are willing and capable of that...). They should also assist the customer in choosing the best component/system, something I´m often asked for. This is not only time consuming but it also makes it very difficult to maintain a neutral position.
But there´s more to cover with those 30-40%. While I don´t advertise, distributors and dealers do , - if they feel the need for it. Why, you might ask, when everyone seems to be on the net nowadays, asking for unbiased advice....and lots of people willing to give that advice, unbiased or not(knowledgeable or not). There are still countless audiophiles around who much rather talk to someone on the phone or in person instead of conversing with an internet moniker.
Distributors and sometimes dealers demo at shows to attract and educate the customer. This is VERY costly, yet more often then not, distributors tell me "it wasn´t worth it, again". It can be rather frustrating to spend thousands of dollars/pounds/euros, schlepping around amps and speakers designed for forklifts, not humans, only to witness too many people sticking their head into the room and turning around in less than 10 seconds(which is how long it took them to collect the color broschures). Yet, when being asked about the sound in that room, one of the standard answers would be: "My system at home is sooo much better and it cost me this much less..."
Fortunately there are many who don´t fall into that category and it is some of them who might not need distributors/dealers. A majority(rendering dist./dealers useless) it is not.
Feel free to get in touch with me directly, if only for advice. But realise that there are limits as to how much time I can divert to this part of my occupation before others aspects(like the sheer making of the product) start to suffer.

All the best,

Frank