Eureka! It's all about methodology! I went over to VA and did a search on VTA postings by jnhvac just as DougDeacon suggested. I found a post where jnhvac describes his method of starting with the cartridge level with respect to the record surface, then lowering from that position about 5 or 6 playing cards. (Real precision measurements here!) Next you start raising the arm 1 card at a time until you get the air around the instruments and the soundstage opens.
This method has worked very well for me tonight with my 103r. Listening to Jean Luc-Ponty's Enigmatic Ocean I can hear every cymbal at a distinctly differenct location. All instruments have much more presence in the room. The most dramatic impact is how the instruments just off center can clearly be heard adding to the sounds. That's the spot I remember stumbling on to with the Glider. Now I believe I have a methodology to re-create this with another cartridge.
Not to put down what is on the Walker page, but I think the talk of lowering the arm until the bass goes heavy was just to much for my pea-size brain to deal with. I understand what they are trying to relate, but it really is all about the presence of the instruments in the room and not the tonal balance, just as you guys have said. You guys keep talking, it will eventually sink into my thick skull!
I can't wait until my Graham tonearm cable shows up so I can mount that 2.2 and really get some precision adjustments!
This method has worked very well for me tonight with my 103r. Listening to Jean Luc-Ponty's Enigmatic Ocean I can hear every cymbal at a distinctly differenct location. All instruments have much more presence in the room. The most dramatic impact is how the instruments just off center can clearly be heard adding to the sounds. That's the spot I remember stumbling on to with the Glider. Now I believe I have a methodology to re-create this with another cartridge.
Not to put down what is on the Walker page, but I think the talk of lowering the arm until the bass goes heavy was just to much for my pea-size brain to deal with. I understand what they are trying to relate, but it really is all about the presence of the instruments in the room and not the tonal balance, just as you guys have said. You guys keep talking, it will eventually sink into my thick skull!
I can't wait until my Graham tonearm cable shows up so I can mount that 2.2 and really get some precision adjustments!

